"Nothing Left To Lose But The Chains" by Half Me had its release date on March 15, 2024. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 3 in the song's album "Nothing Left To Lose But The Chains". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Nothing Left To Lose But The Chains's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nothing Left To Lose But The Chains by Half Me having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| House of Cards | Gravemind | D Major | 10 | 10B | 195 BPM | ||
| Bloom | Ice Sealed Eyes, FreeHowling | F Minor | 10 | 4A | 100 BPM | ||
| Stained Glass Reality | The Narrator | D♭ Minor | 9 | 12A | 120 BPM | ||
| Deathtouch | Gravemind | D Major | 10 | 10B | 195 BPM | ||
| Mind Flayer | vianova | D♭ Major | 9 | 3B | 115 BPM | ||
| Better | Alleviate | D♭ Major | 10 | 3B | 170 BPM | ||
| Cursed To Remember | Boundaries | A♭ Major | 10 | 4B | 180 BPM | ||
| The Puppets Strings Are Broken | Mirrors | G Major | 10 | 9B | 111 BPM | ||
| The Silence We Keep | What Lies Below | B Minor | 10 | 10A | 110 BPM | ||
| Sleepless | What Lies Below | E♭ Major | 9 | 5B | 160 BPM | ||
| Melancholy Oxidase | Dealer, Travis Tabron | D♭ Major | 10 | 3B | 155 BPM | ||
| HIGHER | AVRALIZE | F Minor | 9 | 4A | 170 BPM | ||
| trapped in torment. | VCTMS | D♭ Major | 10 | 3B | 175 BPM | ||
| A DIFFERENT KIND OF ALONE | DIESECT | F Minor | 10 | 4A | 114 BPM | ||
| Lifelike | Gravemind | D♭ Major | 10 | 3B | 97 BPM | ||
| Shapeshifter | Seeing Things | D♭ Minor | 9 | 12A | 97 BPM | ||
| Kerosene | Great American Ghost | F Minor | 10 | 4A | 160 BPM | ||
| Dominion | Inertia | D Major | 10 | 10B | 130 BPM | ||
| Distort | Half Me | C Major | 10 | 8B | 100 BPM | ||
| Bound To Misery | Downswing, AVOID | E Minor | 10 | 9A | 182 BPM | ||
| Over the Garden Wall | Like Moths To Flames | F♯ Major | 10 | 2B | 131 BPM | ||
| Moon | Daybreak | D♭ Major | 9 | 3B | 122 BPM | ||
| Paradigm | Oceans Ate Alaska | B♭ Minor | 10 | 3A | 90 BPM | ||
| I Am But A Guest In Exile | Half Me | D♭ Major | 9 | 3B | 177 BPM | ||
| Acid Romance | Alpha Wolf | C Major | 10 | 8B | 115 BPM |