On October 9, 2015, the song "Last Dog" was released by Max Stalling. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 11 in Banquet by Max Stalling. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Last Dog is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Last Dog by Max Stalling is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Am Country Heaven | Jason Eady | A Major | 2 | 11B | 143 BPM | ||
| Horseshoe Lounge | Slaid Cleaves | G Major | 5 | 9B | 124 BPM | ||
| You'd Better Be | Max Stalling | E Major | 5 | 12B | 94 BPM | ||
| College Days | The Great Divide | A Major | 9 | 11B | 143 BPM | ||
| Say It | Six Market Blvd. | D Major | 6 | 10B | 146 BPM | ||
| Night's Pay in My Boot | Max Stalling | C Major | 7 | 8B | 109 BPM | ||
| Redneck Mother | Ray Wylie Hubbard | G Major | 5 | 9B | 77 BPM | ||
| Bonfire | Mark McKinney | G Major | 9 | 9B | 112 BPM | ||
| Whiskey Bent & Hell Bound | Cooder Graw | G Major | 6 | 9B | 107 BPM | ||
| Amarillo Windmill | The Great Divide | C Major | 8 | 8B | 140 BPM | ||
| Wrapped | Bruce Robison | A Major | 5 | 11B | 112 BPM | ||
| Una Más Cerveza | Tommy Alverson | G Major | 7 | 9B | 135 BPM | ||
| Three Sheets to the Wind | Mark David Manders | C Major | 5 | 8B | 107 BPM | ||
| Bad | Phil Hamilton | A Major | 3 | 11B | 135 BPM | ||
| Why I Left Atlanta | Jason Eady | G Major | 4 | 9B | 136 BPM | ||
| West Texas Cloud Appreciation Society | Josh Grider, Drew Kennedy | C Major | 5 | 8B | 132 BPM | ||
| Shifting Gears | Cooder Graw | B Major | 7 | 1B | 134 BPM | ||
| Seashell | Micky & The Motorcars | E♭ Major | 6 | 5B | 153 BPM | ||
| My Kind of Day on Padre | Gary P. Nunn | E Major | 2 | 12B | 107 BPM | ||
| All the Way to Jericho | The Gourds | E♭ Major | 9 | 5B | 128 BPM | ||
| One Night Taco Stand | Josh Grider | B Major | 6 | 1B | 119 BPM | ||
| Big Nevada | The Munsick Boys | D Major | 5 | 10B | 94 BPM | ||
| Misery in Me | Six Market Blvd. | G Major | 6 | 9B | 112 BPM | ||
| Walk on By | Bart Crow | E♭ Major | 5 | 5B | 120 BPM | ||
| The Front Porch Song | Robert Earl Keen | G Major | 4 | 9B | 107 BPM |