Allan Roberts, Quatuor Ébène, Luz Casal's 'Fisher / Roberts: Amado mío, Song (from "Gilda")' had a release date set for October 18, 2010. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 16 in Fiction by Quatuor Ébène. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fisher / Roberts: Amado mío, Song (from "Gilda") is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fisher / Roberts: Amado mío, Song (from "Gilda") by Allan Roberts, Quatuor Ébène, Luz Casal is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Colpo di coda | Alessandro Pitoni | C Major | 4 | 8B | 128 BPM | ||
| Yumeji’s Theme (From "In the Mood for Love") | Angèle Dubeau, La Pietà | F Minor | 1 | 4A | 133 BPM | ||
| Con Toda Palabra | Lhasa De Sela | F Minor | 5 | 4A | 110 BPM | ||
| Antes | Amparo Velasco "La Negra" | F Minor | 2 | 4A | 100 BPM | ||
| Música de Automóvil | Mastretta | C Minor | 8 | 5A | 123 BPM | ||
| El Beso Libanés (Canción Libanesa-Iraquí) | Javier Limón, Montse Cortés | E♭ Minor | 4 | 2A | 83 BPM | ||
| Moura Encantada | Ana Moura | C Minor | 3 | 5A | 100 BPM | ||
| Mad About the Boy | Jools Holland & Caro Emerald | F Minor | 4 | 4A | 181 BPM | ||
| Little Lovin' | Noa, Gil Dor | A Minor | 2 | 8A | 141 BPM | ||
| Vals | Anjelika Akbar | C Minor | 1 | 5A | 138 BPM | ||
| Reflejo de Luna | Alacran | F Minor | 5 | 4A | 115 BPM | ||
| Pasos | Malena Muyala | A♭ Minor | 3 | 1A | 136 BPM | ||
| Nada Comparable | Angélique Ionatos, Boissel Christian | C Minor | 3 | 5A | 94 BPM | ||
| Lo eres todo | Luz Casal | C Minor | 3 | 5A | 120 BPM | ||
| Addio del passato - From "La traviata" | Filippa Giordano | G Minor | 2 | 6A | 84 BPM | ||
| Tango Serenata (Ständchen) | Franz Schubert, Gustavo Montesano/Royal Philharmonic Orchestra/Carlos Gomez, Carlos Gomez, Royal Philharmonic Orchestra | D Minor | 7 | 7A | 88 BPM | ||
| Eres Todo En Mí | Verónica Larc | A Minor | 4 | 8A | 91 BPM | ||
| Satie / Arr. Chalhoub for Violin and Ensemble: 6 Gnossiennes: No. 1, Lent | Erik Satie, Claude Chalhoub, Michael Brook, The String Octet | C Major | 4 | 8B | 101 BPM | ||
| Terciopelo y Champán | Marcela Brown | A Minor | 5 | 8A | 105 BPM | ||
| Sans dignité | Karima Nayt | F Minor | 1 | 4A | 70 BPM | ||
| Lia (with Diana Navarro) | Maria Dolores Pradera, Diana Navarro | A♭ Minor | 4 | 1A | 73 BPM | ||
| Quand elle rit aux eclats | Vaya Con Dios | A Minor | 2 | 8A | 94 BPM | ||
| Green Fields | Nils Landgren | C Minor | 3 | 5A | 66 BPM | ||
| A Men's Scene | Club des Belugas | B Minor | 5 | 10A | 80 BPM | ||
| Mester D'Amor | Arianna Savall | A Minor | 1 | 8A | 115 BPM |