"At The Hour Of Our Death" by Gene Back had its release date on March 8, 2024. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 21 out of 24 in Cabrini (Original Motion Picture Soundtrack) by Gene Back. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, At The Hour Of Our Death's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of At The Hour Of Our Death by Gene Back is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aventuras Sin Limites | Las Eternas | F♯ Minor | 2 | 11A | 140 BPM | ||
| Dalgliesh Arrives | Andrew Simon McAllister | E♭ Major | 2 | 5B | 136 BPM | ||
| The Wife | Jocelyn Pook | C Minor | 1 | 5A | 97 BPM | ||
| Il racconto di Tancredi | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| Uno dei Nostri | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| Licisca's Lament | Ruth Barrett | D Major | 3 | 10B | 91 BPM | ||
| Variation 1: I. The Weight of Responsibility | Matthew Slater, London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM | ||
| Susie Glass | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| Maria's Grievance | Kostas Christides | D Minor | 2 | 7A | 168 BPM | ||
| Dawn | Brian Tyler, Breton Vivian | D Minor | 3 | 7A | 67 BPM | ||
| Die unsichtbare Front - From "Das Leben der Anderen" | NDR Radiophilharmonie, Frank Strobel | G Minor | 0 | 6A | 131 BPM | ||
| Sensaciones Al Limite | Las Guerreras | B Minor | 0 | 10A | 119 BPM | ||
| Dream | Pino Donaggio | G Minor | 2 | 6A | 140 BPM | ||
| Rogue Rescuers | Raphael Fimm | E♭ Major | 0 | 5B | 80 BPM | ||
| Vueltas De Tuerca | Emanuela Dellana | E Major | 1 | 12B | 121 BPM | ||
| Acuerdos Imposibles | Las Guerreras | F♯ Minor | 2 | 11A | 120 BPM | ||
| The Renaissance Suite: I. GALLIARD in Sky Blue | Julie Cooper, Camilla Pay, Oculus Ensemble, Jessica Cottis | G Minor | 1 | 6A | 131 BPM | ||
| We Have Each Other | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Defiance | Debbie Wiseman, The Locrian Ensemble Of London | E Minor | 1 | 9A | 61 BPM | ||
| End Titles (We Were the Lucky Ones) | Rachel Portman | D Minor | 2 | 7A | 88 BPM | ||
| Cançao de Ninar pra Yanuni | H. Scott Salinas, Tomás Videla | E Minor | 2 | 9A | 91 BPM | ||
| Lux | Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg, Daniel Hope, Zurich Chamber Orchestra | C Major | 2 | 8B | 94 BPM | ||
| Elisabeth or no other | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | D Major | 3 | 10B | 49 BPM | ||
| Sul Luogo del delitto | Massimiliano Mechelli | A Minor | 1 | 8A | 81 BPM | ||
| Father's Father, Mother's Mother | Gene Back | B Minor | 1 | 10A | 120 BPM |