"Cloudless" by Billy Elliston had its release date on October 18, 2018. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Cloudless's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "NSM Presents Billy Elliston". In this album, this song's track order is #8. Based on our statistics, Cloudless's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cloudless by Billy Elliston having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psalm 892 | MJ Cole | D Major | 1 | 10B | 80 BPM | ||
| Annandale | Phamie Gow | C Major | 0 | 8B | 111 BPM | ||
| Diary of Love | Michael Nyman | D♭ Minor | 2 | 12A | 86 BPM | ||
| Inspector Morse Theme | Barrington Pheloung | A Minor | 1 | 8A | 66 BPM | ||
| The Ballad Of Sarah And Jack | David Holmes | C Major | 1 | 8B | 176 BPM | ||
| To Olivia | Debbie Wiseman | A Minor | 1 | 8A | 71 BPM | ||
| The Golden Hour | Goldbæk | C Major | 1 | 8B | 165 BPM | ||
| Wild Horses | Richard Goldsworthy | G Major | 0 | 9B | 196 BPM | ||
| Herd Runners | Cherry Ghost | E Major | 6 | 12B | 132 BPM | ||
| Lost | Paul Buchanan | G Major | 3 | 9B | 138 BPM | ||
| There She Is | Kevin Smuts | G Major | 0 | 9B | 107 BPM | ||
| Warming (Mvt. 5) | Erland Cooper | C Major | 0 | 8B | 71 BPM | ||
| Melting | Billy Elliston | E Minor | 5 | 9A | 161 BPM | ||
| The Scientist | Javi Lobe | F Major | 1 | 7B | 75 BPM | ||
| The Swan - Reimagined | Camille Saint-Saëns, Verwey | F♯ Major | 0 | 2B | 92 BPM | ||
| Why in the World? | Lloyd Cole | B♭ Major | 5 | 6B | 116 BPM | ||
| Ithaca Suite: VII. Pax Athenae | Olivia Belli, Canea Quartett | F Major | 0 | 7B | 129 BPM | ||
| Tine | Conor Walsh | B♭ Minor | 2 | 3A | 131 BPM | ||
| Prelude and Fugue No. 1 in C Major, BWV 846 | Johann Sebastian Bach, George Lepauw | C Major | 0 | 8B | 73 BPM | ||
| Fracture | Stephan Moccio | D Major | 0 | 10B | 85 BPM | ||
| Memory | Gabríel Ólafs | E Major | 0 | 12B | 61 BPM | ||
| Brotin | Eydís Evensen | B Minor | 0 | 10A | 68 BPM | ||
| Beyond The Willow Tree | Holly Jones | C Minor | 0 | 5A | 114 BPM | ||
| Find your way home | Patrick Hamilton | C Minor | 1 | 5A | 108 BPM | ||
| Forever, and No Time at All | Nat Bartsch | E♭ Major | 1 | 5B | 105 BPM |