"Valley Of The Dead" by John Debney had its release date on January 1, 2002. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Valley Of The Dead's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Scorpion King (Original Motion Picture Score)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Valley Of The Dead is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valley Of The Dead by John Debney having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost up in the Game | Ceka Haji, Jay Spark | A♭ Major | 4 | 4B | 120 BPM | ||
| Cleopatra | Trevor Jones | C Major | 6 | 8B | 189 BPM | ||
| Port Nyanzaru | Travis Savoie | D Major | 3 | 10B | 175 BPM | ||
| Departing Clouds | Audiokraft | A Major | 0 | 11B | 92 BPM | ||
| Como Un Juego De Niños | Valores Especiales | C Minor | 5 | 5A | 110 BPM | ||
| Sekhmet | Derek Fiechter, Brandon Fiechter | D Major | 4 | 10B | 196 BPM | ||
| 竜を識る者 | 木村華 | F♯ Major | 6 | 2B | 140 BPM | ||
| They All Left | Jeff Russo | D Minor | 5 | 7A | 80 BPM | ||
| Luxor Decision | Michael J. Lewis | F♯ Major | 3 | 2B | 82 BPM | ||
| Whispers of Delphi | GreekyGod | G Major | 1 | 9B | 71 BPM | ||
| And the Rhine Flowed With Blood | Ian Livingstone | E Minor | 6 | 9A | 150 BPM | ||
| Hathor's Theme | Marco Beltrami | G Minor | 1 | 6A | 100 BPM | ||
| Glasstaff Fight | Lyre RPG Music | A Minor | 1 | 8A | 140 BPM | ||
| The City of Ghosts | Funcom Soundtrack, Knut Avenstroup Haugen | C Major | 1 | 8B | 76 BPM | ||
| Trapos Limpios | Hombres De Marte | D Major | 4 | 10B | 95 BPM | ||
| Buried | Ager Sonus | F Major | 4 | 7B | 122 BPM | ||
| Hustlin | Jordan Clark, Jokardon | D♭ Major | 1 | 3B | 90 BPM | ||
| Peaceful But Primitive / Procession | John Debney, Ron Allen, Chris Bleth, Nick Ingman & His Orchestra, Ahmed El-Eshmer, Shankar and Gingger, Shannon Kingsbury, Aaron Martin, Tanya Tsarouska, Nick Ingman, Mel Gibson, The Transylvania State Philharmonic Choir, London Voices, Pedro Eustache | C Major | 1 | 8B | 114 BPM | ||
| Our Lands | Walter Mair | G Major | 2 | 9B | 136 BPM | ||
| La Tentación | Gustavo Santaolalla, Alfonso G. Aguilar | F Minor | 1 | 4A | 140 BPM | ||
| Desert Traces | Two Worlds II | A Minor | 2 | 8A | 100 BPM | ||
| Ready! | The Percussion Factory | D♭ Major | 8 | 3B | 135 BPM | ||
| Where Dead Gods Lie | Travis Savoie | D♭ Minor | 2 | 12A | 85 BPM | ||
| Sulphur Bath Assassination | Trevor Morris | F Major | 0 | 7B | 74 BPM | ||
| Wadjet | Derek Fiechter, Brandon Fiechter | D Major | 4 | 10B | 196 BPM |