"Asato Ma Sadagamay - English Version" by Shivkumar Sharma, Shankar Mahadevan, Devaki Pandit had its release date on 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "Upanishad Amrut (feat. Shankar Mahadevan, Devaki Pandit, Bhawani Shankar & Rakesh Chaurasia) [English Version]". In this album, this song's track order is #1. The popularity of Asato Ma Sadagamay - English Version is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Asato Ma Sadagamay - English Version by Shivkumar Sharma, Shankar Mahadevan, Devaki Pandit having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sarod Hembihag | Bapu Padmanabha | F♯ Minor | 1 | 11A | 137 BPM | ||
| Achyutam Keshavam - Instrumental | Acoustic Trips | D♭ Major | 4 | 3B | 80 BPM | ||
| Pahadi Dhun - Kaharva | Shivkumar Sharma, Kashinath Mishra | D♭ Major | 4 | 3B | 104 BPM | ||
| Raga Bhairavi - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | F Major | 6 | 7B | 107 BPM | ||
| After a Hot Day | Surajit Das, Lucyan | D♭ Major | 5 | 3B | 113 BPM | ||
| A Light Dhun - Composition In Keherwa | Shivkumar Sharma | D Minor | 3 | 7A | 118 BPM | ||
| Peace (alap) | Shivkumar Sharma, Hariprasad Chaurasia | C Major | 1 | 8B | 138 BPM | ||
| Raag Bageshri | Sounds of Optimism, Deepesh Sanmal | D Major | 3 | 10B | 90 BPM | ||
| Ahir Bhairav | Buddhadev DasGupta | F Major | 4 | 7B | 125 BPM | ||
| Raga Kedar, Gat In Ektaal | Shivkumar Sharma & Zakir Hussain | D Major | 4 | 10B | 100 BPM | ||
| Anjali to Sérana | Serge Serna | F Major | 3 | 7B | 81 BPM | ||
| Raag Kalavati | Sounds of Optimism, Deepesh Sanmal | B Major | 3 | 1B | 127 BPM | ||
| Raga Bihag Alap | Terry Riley, Brooklyn Raga Massive | C Major | 1 | 8B | 87 BPM | ||
| Raga Tilak Kamod | Shahid Parvez | D♭ Major | 3 | 3B | 171 BPM | ||
| Silence Is Bliss (feat. Pandit Vishwa Mohan Bhatt) | Naveen Kumar, Vishwa Mohan Bhatt | E Minor | 7 | 9A | 126 BPM | ||
| Together On A Musical Journey | Shivkumar Sharma, Rahul Sharma, Zakir Hussain | D Major | 5 | 10B | 93 BPM | ||
| Rhythm Divine-Matta Taal | Alla Rakha, Zakir Hussain | D♭ Major | 4 | 3B | 102 BPM | ||
| Raga Brindavani: Alap | B. Sivaramakrishna Rao | D Major | 0 | 10B | 86 BPM | ||
| Raga - Pilu | Hariprasad Chaurasia, Brij Bhushan Kabra, Shivkumar Sharma | A♭ Minor | 4 | 1A | 138 BPM | ||
| Raga Aberi Track 02 | L. Shankar | A♭ Major | 5 | 4B | 83 BPM | ||
| Raga Yaman Gat | Shahid Parvez | D♭ Major | 4 | 3B | 153 BPM | ||
| Ek Taal | Zakir Hussain | F♯ Major | 7 | 2B | 116 BPM | ||
| Motherland | Bickram Ghosh | D♭ Major | 5 | 3B | 120 BPM | ||
| Journey to Sedna | Baluji Shrivastav | B♭ Minor | 2 | 3A | 121 BPM | ||
| Raga Miya-Ki-Malhar Teental | Amjad Ali Khan, Shafaat Ahmed Khan | B♭ Major | 3 | 6B | 177 BPM |