Aníbal Troilo, Alberto Marino's ' "María" was released on its scheduled release date, January 1, 1941. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. María's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Tinta Roja". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Argentina. In terms of popularity, María is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With María by Aníbal Troilo, Alberto Marino having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caricias | Hugo Duval y Rodolfo Biaggi | E Minor | 2 | 9A | 121 BPM | ||
| Trenzas | Orquesta Típica Fernández Fierro | E Minor | 4 | 9A | 110 BPM | ||
| Mano cruel | Orquesta Fulvio Salamanca, Jorge Garré, Armando Guerrico | F Major | 4 | 7B | 127 BPM | ||
| Sollozos | Ricardo Malerba | C Minor | 4 | 5A | 115 BPM | ||
| Muchacha | Argentino Ledesma, Héctor Varela | E Minor | 5 | 9A | 62 BPM | ||
| Los Mareados | Raúl Lavié | F Minor | 4 | 4A | 86 BPM | ||
| Bar Exposicion | Florindo Sassone Y Su Gran Orq. Tipica | A Major | 3 | 11B | 116 BPM | ||
| Café De Los Angelitos | Anibal Troilo y su orquesta, Alberto Marino | E Minor | 4 | 9A | 78 BPM | ||
| Una Emoción | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Palomita mia | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 122 BPM | ||
| Tal vez sera su voz...! | Aníbal Troilo, Alberto Marino | C Major | 3 | 8B | 123 BPM | ||
| Negrito | The Alex Krebs Tango Sextet | E Major | 4 | 12B | 98 BPM | ||
| Esta noche me emborracho | Enrique Santos Discépolo | A Major | 5 | 11B | 128 BPM | ||
| Mañana Ire Temprano | Rubén Juárez, Leopoldo Federico | C Minor | 3 | 5A | 120 BPM | ||
| Garúa | Aníbal Troilo, Francisco Fiorentino | B♭ Major | 3 | 6B | 120 BPM | ||
| Toda Mi Vida | Rubén Juárez | D Major | 2 | 10B | 105 BPM | ||
| Milonga Del Aguatero | Orquesta Tipica Victor | A Minor | 3 | 8A | 111 BPM | ||
| En el Lago Azul | Hyperion Ensemble, Hernan Godoy | F Major | 3 | 7B | 121 BPM | ||
| El Panuelito | Osvaldo Pugliese con Jorge Maciel | F♯ Major | 1 | 2B | 110 BPM | ||
| Milonga Vieja Milonga | Miguel Villasboas | C Minor | 7 | 5A | 104 BPM | ||
| Jueves | Orquesta Juan D' Arienzo | B Minor | 5 | 10A | 126 BPM | ||
| Maria | Alberto Marino | F Minor | 3 | 4A | 117 BPM | ||
| Guapeando | Aníbal Troilo Y Su Orquesta Típica | C Major | 2 | 8B | 136 BPM | ||
| Que bien te queda | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 124 BPM | ||
| Todo Te Nombra | Pablo Valle Sexteto | B♭ Major | 2 | 6B | 127 BPM |