Rudy Ray Moore's ' "Herman Griffith Radio Spot" was released on its scheduled release date, June 27, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Rudy Ray Moore's "Hully Gully Fever" album is number 17 out of 28. On top of that, United States appears to be the country where this track was created. Based on our statistics, Herman Griffith Radio Spot's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Herman Griffith Radio Spot by Rudy Ray Moore to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Got Some, Pt. 1 | Billy Garner | A Major | 6 | 11B | 102 BPM | ||
| Lil' Red Riding Hood | The Undisputed Truth | D♭ Major | 5 | 3B | 91 BPM | ||
| Rap It Together | Detroit Sex Machines | B Minor | 10 | 10A | 176 BPM | ||
| The Jealous Bartender | Redd Foxx | B Minor | 6 | 10A | 65 BPM | ||
| Hence Forth | Roy Ayers | G Minor | 7 | 6A | 178 BPM | ||
| Vanish in Our Sleep | Bootsy Collins | F♯ Minor | 4 | 11A | 174 BPM | ||
| Ain't It Hell Up In Harlem | Edwin Starr | B♭ Minor | 8 | 3A | 120 BPM | ||
| Get Up And Get Down | The Dramatics | D♭ Minor | 7 | 12A | 100 BPM | ||
| I Turned You On | The Isley Brothers | B♭ Major | 6 | 6B | 88 BPM | ||
| Going To Get A Thrill | Fred Wesley & The J.B.'s | F♯ Minor | 7 | 11A | 96 BPM | ||
| Funky Broadway Part 1 | Dyke & The Blazers | D♭ Major | 5 | 3B | 122 BPM | ||
| Put It On The Line | Lyn Collins | G Minor | 7 | 6A | 84 BPM | ||
| Sexy Ida, Pt. 1 | Ike & Tina Turner | A Minor | 8 | 8A | 118 BPM | ||
| You Better Be Good (Or the Devil Gon' Getcha) | The Jimmy Castor Bunch | C Major | 8 | 8B | 126 BPM | ||
| Rock Creek Park | The Blackbyrds | D Major | 8 | 10B | 111 BPM | ||
| Now Do You Wannta Dance | Graham Central Station | A Major | 8 | 11B | 111 BPM | ||
| Baby Let Me Kiss You | King Floyd | D♭ Major | 5 | 3B | 75 BPM | ||
| Coffy Baby - From The "Coffy" Soundtrack | Roy Ayers, Dee Dee Bridgewater | F Minor | 6 | 4A | 175 BPM | ||
| Let Me Come Home | Rudy Ray Moore | F Major | 5 | 7B | 131 BPM | ||
| Wah Wah Man | Young-Holt Unlimited | C Major | 5 | 8B | 90 BPM | ||
| Cookie Jar | Parlet | G Major | 7 | 9B | 78 BPM | ||
| If You Don't Like The Effects, Don't Produce The Cause | Funkadelic | C Major | 6 | 8B | 133 BPM | ||
| Sport | Lightnin' Rod | A Minor | 5 | 8A | 80 BPM | ||
| Sister Jackie | Bernie Mac | G Minor | 5 | 6A | 70 BPM | ||
| In the Army | Richard Pryor | B Minor | 7 | 10A | 100 BPM |