Milton Brown's ' "You're Bound to Look Like a Monkey" was released on its scheduled release date, April 1, 2009. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. You're Bound to Look Like a Monkey's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 40 in Essential Western Swing by Milton Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, You're Bound to Look Like a Monkey's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of You're Bound to Look Like a Monkey by Milton Brown is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Doin' the Uptown Lowdown | Mildred Bailey | A♭ Major | 5 | 4B | 91 BPM | ||
| I'm Tickled Pink | Jack Shaindlin | F Minor | 2 | 4A | 169 BPM | ||
| Cheatin' On You Baby | Red Foley | A♭ Major | 4 | 4B | 204 BPM | ||
| Fox Boogie | Gerhard Trede | C Major | 5 | 8B | 180 BPM | ||
| How Can You Face Me? | Fats Waller | C Major | 2 | 8B | 144 BPM | ||
| Tomorrow | Frankie Carle | A♭ Major | 5 | 4B | 91 BPM | ||
| Extra Sensory Perception | Sheldon Allman | A♭ Major | 6 | 4B | 135 BPM | ||
| 'Taint No Sin | Lee Morse | G Major | 3 | 9B | 87 BPM | ||
| Ole Buttermilk Sky | Hoagy Carmichael | D Major | 2 | 10B | 84 BPM | ||
| Happy Times | Bob Crosby & The Bob Cats | A♭ Major | 5 | 4B | 91 BPM | ||
| Take Me Back To Tulsa | Bob Wills & Tommy Duncan with The Texas Playboys | D Major | 6 | 10B | 136 BPM | ||
| Mister Charles | Sid Phillips | B♭ Major | 6 | 6B | 191 BPM | ||
| Heartaches by the Number | Guy Mitchell | G Major | 8 | 9B | 169 BPM | ||
| The Freedom Train - Remastered | Margaret Whiting | F Minor | 3 | 4A | 155 BPM | ||
| Old Towzer | Grandpa Jones | A Major | 5 | 11B | 127 BPM | ||
| (You Let the Blues Move In) Now I'm Movin' Out | The Roues Brothers | C Major | 4 | 8B | 165 BPM | ||
| Murder in the Moonlight (It's Love in the First Degree) | Red McKenzie | A♭ Major | 5 | 4B | 91 BPM | ||
| (There'll Be Bluebirds Over) The White Cliffs Of Dover | Kay Kyser & His Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Butcher Pete (Pt. 2) | Roy Brown | E♭ Minor | 7 | 2A | 90 BPM | ||
| Who Wouldn't Love You | Kay Kyser & His Orchestra | A♭ Major | 5 | 4B | 91 BPM | ||
| The Huntin's Over For Tonight | Grandpa Jones | A Major | 6 | 11B | 120 BPM | ||
| Salt Pork, West Virginia | Louis Jordan & His Tympany Five | A♭ Major | 3 | 4B | 130 BPM | ||
| Milk Cow Blues | The Maddox Brothers & Rose | D Major | 1 | 10B | 100 BPM | ||
| I'm the One You're Looking For | Lynda Carter, John Jarvis, Kerry Marx | E Major | 3 | 12B | 96 BPM | ||
| Hobo Bill's Last Ride | Jimmie Rodgers | C Major | 1 | 8B | 94 BPM |