Ralphie May's ' "We Fuck With Minorities" was released on its scheduled release date, February 1, 2004. This song is quite longer than the average track at 5 minutes and 29 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The track order of this song in Ralphie May's "Just Correct" album is number 7 out of 19. On top of that, United States appears to be the country where this track was created. We Fuck With Minorities is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of We Fuck With Minorities by Ralphie May to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parting Advice | Artie Lange | D♭ Major | 9 | 3B | 108 BPM | ||
| Saltwater, See? | Brad Upton | B♭ Minor | 8 | 3A | 86 BPM | ||
| Twitter Roll Call | Doug Benson | F Minor | 8 | 4A | 123 BPM | ||
| Tinfoil Turd Flyers | Rob Schneider | B♭ Minor | 9 | 3A | 90 BPM | ||
| The Rock | Chad Daniels | C Major | 8 | 8B | 85 BPM | ||
| Beta Only | Paul F. Tompkins | D Major | 4 | 10B | 105 BPM | ||
| The Bra Bomber | Kevin Nealon | D Minor | 5 | 7A | 78 BPM | ||
| Does Captain America Celebrate Black History? | Wyatt Cenac | B♭ Minor | 5 | 3A | 108 BPM | ||
| The Climax | Marquez The Greatest | G Major | 8 | 9B | 83 BPM | ||
| Riff Suite 3: Craws Explained / Does Christ Hear Our Comedy? | Paul F. Tompkins | E Major | 6 | 12B | 85 BPM | ||
| We Went to Hawaii | Anjelah Johnson-Reyes | F♯ Major | 8 | 2B | 86 BPM | ||
| Fart Stab | Adam Ray | C Major | 8 | 8B | 141 BPM | ||
| Dad | Neal Brennan | B♭ Major | 3 | 6B | 177 BPM | ||
| Blaming Eve | Shane Mauss | F♯ Major | 8 | 2B | 111 BPM | ||
| Eight Sounds Like Ate | Ryan Stout | D♭ Major | 7 | 3B | 64 BPM | ||
| 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft 8ft | Shane Mauss | F♯ Major | 5 | 2B | 113 BPM | ||
| Travel Ball Blues | Chris Porter | C Major | 8 | 8B | 55 BPM | ||
| Feminine Problems | Mark Normand | F♯ Major | 8 | 2B | 115 BPM | ||
| First Caesar | Tommy Campbell | D Minor | 6 | 7A | 117 BPM | ||
| I'm Not a Noun | Bryan Callen | F Major | 5 | 7B | 99 BPM | ||
| Spotting | Chris Porter | B♭ Minor | 10 | 3A | 69 BPM | ||
| Protagonist | Kyle Kinane | F Minor | 5 | 4A | 135 BPM | ||
| You Can't Touch a Woman | Steve Byrne | B Minor | 9 | 10A | 95 BPM | ||
| Siegfried & Roy | Robert Schimmel | D Minor | 5 | 7A | 103 BPM | ||
| The Negative | Chad Daniels | E Major | 9 | 12B | 110 BPM |