Bob Mamet's ' "Austin Bound" was released on its scheduled release date, August 8, 1997. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 11 in Adventures In Jazz by Bob Mamet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Austin Bound is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Austin Bound by Bob Mamet is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tell You When I Get There | Bob Mamet | D Major | 7 | 10B | 107 BPM | ||
| Smooth Operator | Greg Adams | F Minor | 5 | 4A | 111 BPM | ||
| What You Do To Me | Nick Colionne | B Minor | 7 | 10A | 95 BPM | ||
| Midnight At The Oasis | Steve Oliver | A♭ Major | 8 | 4B | 101 BPM | ||
| Zephyr | Kayla Waters | D♭ Minor | 8 | 12A | 100 BPM | ||
| Chopsticks | Jeff Lorber | E Minor | 8 | 9A | 96 BPM | ||
| We'll Make It Last | Doc Powell | G Major | 8 | 9B | 101 BPM | ||
| Temple of Dreams | Jonathan Fritzén | A Minor | 3 | 8A | 84 BPM | ||
| Getting Close | Dan Siegel | D♭ Major | 6 | 3B | 89 BPM | ||
| Sanctuary St. | Oli Silk | C Minor | 5 | 5A | 81 BPM | ||
| Forever And A Day | Euge Groove, Althea Rene | A Minor | 7 | 8A | 91 BPM | ||
| Follow Your Bliss | Marc Antoine | C Major | 7 | 8B | 98 BPM | ||
| Bermuda Nights | Gerald Albright | C Major | 9 | 8B | 172 BPM | ||
| Twice in a Lifetime | Michael Lington | G Minor | 5 | 6A | 178 BPM | ||
| Groovin' J | Jacob Webb | B♭ Minor | 7 | 3A | 103 BPM | ||
| No Two Ways About It | Jeff Golub | E Major | 7 | 12B | 181 BPM | ||
| All Jazzed Up (And Nowhere To Go) | Everette Harp | F Major | 6 | 7B | 176 BPM | ||
| Chillaxin | Euge Groove | C Minor | 6 | 5A | 91 BPM | ||
| Lights Down Low | Boney James | F Minor | 6 | 4A | 78 BPM | ||
| Diamonds | Jonathan Fritzén | E Minor | 7 | 9A | 102 BPM | ||
| Six Stories (1-3) | Bob Mamet | F Major | 6 | 7B | 181 BPM | ||
| Midnight Morning | Greg Adams | A♭ Major | 6 | 4B | 109 BPM | ||
| When Love Comes Around | Braxton Brothers | F Minor | 3 | 4A | 114 BPM | ||
| Song for Elizabeth | Jonathan Butler | F Minor | 4 | 4A | 172 BPM | ||
| Summer Groove | Tim Bowman | G Major | 8 | 9B | 93 BPM |