Adam Wakefield, Blake Shelton's ' "The Conversation - The Voice Performance" was released on its scheduled release date, May 25, 2016. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "The Complete Season 10 Collection (The Voice Performance)". In this album, this song's track order is #11. In terms of popularity, The Conversation - The Voice Performance is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Conversation - The Voice Performance by Adam Wakefield, Blake Shelton having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On the Road | Mike Zito | E Minor | 8 | 9A | 102 BPM | ||
| Heartache by the Pound | Kirk Fletcher | A Major | 4 | 11B | 101 BPM | ||
| Bad Bad Feeling | Trampled Under Foot | E Minor | 8 | 9A | 108 BPM | ||
| How Could This Be? | Eric Lindell | F Major | 6 | 7B | 172 BPM | ||
| Drive Ya Crazy | The Alex Lucero Band | F Major | 9 | 7B | 107 BPM | ||
| Weatherman | Tasha Taylor, Ina Forsman, Layla Zoe | G Major | 6 | 9B | 171 BPM | ||
| Can't reason | Jacky Lynx | F Minor | 9 | 4A | 144 BPM | ||
| Daddy Was a Bluesman | Derrick Dove & the Peacekeepers | B Minor | 4 | 10A | 162 BPM | ||
| Love and Happiness | Lamont Landers | D♭ Minor | 6 | 12A | 99 BPM | ||
| (I Know) I'm Losing You (feat. Roosevelt Collier and Wes Watkins) | The Fabulous Thunderbirds, Roosevelt Collier, Wes Watkins | G Major | 7 | 9B | 97 BPM | ||
| Quick Fix | Sam Morrow | G Major | 5 | 9B | 144 BPM | ||
| Won’t Turn Back | Lloyd Spiegel | G Major | 6 | 9B | 97 BPM | ||
| Ready For Times To Get Better | Charlie Musselwhite, Edna Luckett | G Minor | 7 | 6A | 98 BPM | ||
| Inside | James Bullard | D Major | 3 | 10B | 63 BPM | ||
| Never Been to Spain | Suzie Vinnick | G Major | 4 | 9B | 167 BPM | ||
| Back to the Blues | Hadden Sayers, Ruthie Foster | F Minor | 4 | 4A | 83 BPM | ||
| 80 Miles From Memphis | Southern Avenue | A Major | 9 | 11B | 98 BPM | ||
| Who's Foolin' Who | Seth James | C Major | 8 | 8B | 80 BPM | ||
| You Got Mine | Luke Winslow-King | G Major | 4 | 9B | 166 BPM | ||
| Backroads and Blue Lights | Sheldon's Club | G Minor | 4 | 6A | 108 BPM | ||
| Chains of Love | Jesse Roper | C Major | 8 | 8B | 103 BPM | ||
| Sadder Days | Bishop Gunn | A Major | 5 | 11B | 142 BPM | ||
| A Little Too Late | Eddy Smith & The 507 | G Major | 5 | 9B | 84 BPM | ||
| Fine Time | Tomar and the Fcs | F♯ Major | 6 | 2B | 96 BPM | ||
| It Don't Feel Much Like Livin' | Eddy Smith & The 507 | F Major | 7 | 7B | 97 BPM |