Heitor Villa-Lobos, John Morris's ' "Prelude #2 - Villa-Lobos" was released on its scheduled release date, January 1, 2007. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Prelude #2 - Villa-Lobos's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Rosewood". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Prelude #2 - Villa-Lobos is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Prelude #2 - Villa-Lobos by Heitor Villa-Lobos, John Morris having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Estaciones Portenas (pour guitare): N°.2 Verano Porteño | Göran Söllscher, Astor Piazzolla | A Minor | 0 | 8A | 80 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Songs My Mother Taught Me from Gypsy Melodie, Op. 55 | Yo-Yo Ma, Patricia Zander | C Minor | 0 | 5A | 98 BPM | ||
| Dansa brasileira | Camargo Guarnieri, Simón Bolívar Symphony Orchestra Of Venezuela, Maximiano Valdes | E Major | 3 | 12B | 102 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 3, Primavera Porteño [Spring] | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | G Minor | 1 | 6A | 138 BPM | ||
| Escarramán, A Suite of Spanish Dances from the XVI Century (after Cervantes), Op. 177: I. Gallarda | Mario Castelnuovo-Tedesco, Davide Giovanni Tomasi | G Major | 1 | 9B | 115 BPM | ||
| Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Thomas Dunford | B Major | 0 | 1B | 83 BPM | ||
| Tango Suite: 2. Andante | Sergio & Odair Assad | C Major | 0 | 8B | 75 BPM | ||
| Granados / Transcr. Isbin: Cuentos de la juventud, Op. 1: No. 1, Dedicatoria | Enrique Granados, Sharon Isbin | D Major | 0 | 10B | 204 BPM | ||
| Bachianas brasileiras No. 9: I. Prelude. Vagaroso e mistico (Version for string orchestra) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Major | 0 | 8B | 72 BPM | ||
| Manhã de carnaval | Luiz Bonfá, Gerald Garcia | G Major | 1 | 9B | 83 BPM | ||
| Revoir Paris | Roland Dyens | D Major | 0 | 10B | 99 BPM | ||
| Hora libre (Free Hour) | Victor Villadangos | G Major | 1 | 9B | 98 BPM | ||
| Prelúdio No. 5 | Sergio & Odair Assad | B Minor | 2 | 10A | 130 BPM | ||
| Sonate, Op. 61: I. allegro | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 73 BPM | ||
| Tango en Skai | Roland Dyens, Enno Voorhorst, The String Soloists | A Minor | 1 | 8A | 131 BPM | ||
| Castillos de España II: No. 2, Manzanares el Real | Federico Moreno Torroba, Ana Vidović | A Minor | 2 | 8A | 127 BPM | ||
| Elegía por la muerte: II. Melancolia | Maximo Diego Pujol, Ricardo Cobo | D Minor | 2 | 7A | 119 BPM | ||
| Bachianas brasileiras No. 2, "O trenzinho do Caipira": II. Aria. O Canto da nossa terra (Song of Our Land) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | D Minor | 1 | 7A | 82 BPM | ||
| Choro da Saudade | Berta Rojas | G Major | 1 | 9B | 96 BPM | ||
| Lagrima, Prelude | Philip Hemmo | E Major | 1 | 12B | 98 BPM | ||
| Momento No. 5 | Camargo Guarnieri, Max Barros | F♯ Major | 0 | 2B | 67 BPM | ||
| Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
| Danse Sacrée et Danse Profane, L. 103: II. Danse Profane | Claude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine Stoop | A Major | 0 | 11B | 73 BPM |