X-Ray Dog's 'Game Theory' had a release date set for April 14, 2017. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Game Theory's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in Big Licks by X-Ray Dog. In terms of popularity, Game Theory is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Game Theory by X-Ray Dog is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Darkest Hour | X-Ray Dog | D♭ Major | 8 | 3B | 120 BPM | ||
| From the Ashes | Kamikaze Kitty | A Minor | 5 | 8A | 128 BPM | ||
| Centurion | Twisted Jukebox, Dmitriy Mityukhin | D Major | 7 | 10B | 106 BPM | ||
| See What I've Become (Many Worlds) | Zack Hemsey | D Major | 9 | 10B | 95 BPM | ||
| Freedom Fighters | Jo Wandrini | F Minor | 3 | 4A | 142 BPM | ||
| The Vision | X-Ray Dog | A Minor | 3 | 8A | 92 BPM | ||
| Black Tide Rising | Glory Oath + Blood, Robert Leslie Bennett | F Minor | 3 | 4A | 132 BPM | ||
| Such Is Your Destiny | Glory Oath + Blood, Robert Leslie Bennett | A Minor | 5 | 8A | 109 BPM | ||
| Ruination | NINJA TRACKS | G Major | 7 | 9B | 90 BPM | ||
| Adagio in G (Battlefield Version) | Imagine Music | F Minor | 5 | 4A | 125 BPM | ||
| Where Heroes Come to Die | Hampus Naeselius | A Major | 5 | 11B | 179 BPM | ||
| Live to See Tomorrow | David Chappell | C Minor | 5 | 5A | 123 BPM | ||
| Line in the Sand | Berend Salverda | C Minor | 6 | 5A | 125 BPM | ||
| Terraformation | Brian Delgado | C Minor | 5 | 5A | 135 BPM | ||
| Pumped | Dream Cave | D♭ Major | 6 | 3B | 0 BPM | ||
| Satan's Arrival | Revolt Production Music | A♭ Major | 7 | 4B | 120 BPM | ||
| Facing Fears | Iván Torrent | A Minor | 5 | 8A | 137 BPM | ||
| Victorious | Veigar Margeirsson | D♭ Minor | 5 | 12A | 80 BPM | ||
| Dark Angel | Immediate | E♭ Major | 8 | 5B | 80 BPM | ||
| Creator of Worlds | Epic Score | G Minor | 9 | 6A | 140 BPM | ||
| Fight for Freedom | X-Ray Dog | D Major | 6 | 10B | 95 BPM | ||
| Eternal | Matias Puumala | E Minor | 6 | 9A | 112 BPM | ||
| Ode to Power | Trailerhead | A Minor | 3 | 8A | 78 BPM | ||
| Dust and Light | Twelve Titans Music | A♭ Minor | 3 | 1A | 71 BPM | ||
| Republic | NINJA TRACKS | E Minor | 8 | 9A | 100 BPM |