"Cupid and Death: Fourth Entry: Distraught Nature: Nature's Song: "Change, o change your fatal bows" - Chorus: "Take pity, gods!"" by Christopher Gibbons, Matthew Locke, Consort Of Musicke, Anthony Rooley had its release date on 1968. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Cupid and Death: Fourth Entry: Distraught Nature: Nature's Song: "Change, o change your fatal bows" - Chorus: "Take pity, gods!"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 171 in English Renaissance and Baroque Music Edition by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Cupid and Death: Fourth Entry: Distraught Nature: Nature's Song: "Change, o change your fatal bows" - Chorus: "Take pity, gods!" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cupid and Death: Fourth Entry: Distraught Nature: Nature's Song: "Change, o change your fatal bows" - Chorus: "Take pity, gods!" by Christopher Gibbons, Matthew Locke, Consort Of Musicke, Anthony Rooley is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jerusalem: Mass in D Major "Polychoral": I. Kyrie | Ignacio de Jerúsalem, Chanticleer, Joseph Jennings, Chanticleer Sinfonia | B Major | 2 | 1B | 84 BPM | ||
| Agnus Dei, Missa Puer Natus Est | Pomerium | G Major | 1 | 9B | 133 BPM | ||
| Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
| Fürchtet euch nicht | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 99 BPM | ||
| Veni in hortum meum à 6 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | G Minor | 1 | 6A | 103 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Concert royaux, Quatrième concert in E Minor: VII. Forlane en rondeau. Gaiement | François Couperin, Lucie Horsch, Tom Foster | E♭ Major | 0 | 5B | 72 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Magnificat in B flat major: Gloria Patri | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 70 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Weint nicht um meinem Tod | Johann Bach, Henri Ledroit, Ricercar Consort | D♭ Major | 3 | 3B | 114 BPM | ||
| Gloria, RV 588: VIII. Qui tollis peccata mundi | Antonio Vivaldi, Robert King, Choir of The King's Consort, The King's Consort | D♭ Major | 2 | 3B | 96 BPM | ||
| Mass of the Americas: III. Gloria | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Credo, RV. 591: Coro "Crucifixus etiam pro nobis" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
| Paulus: II. Teil: Nr. 28 Chor "Ist das nicht der zu Jerusalem verstörte alle" - Choral "O Jesu Christe, wahres Licht" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 87 BPM | ||
| The Lord said unto my Lord | Christopher Gibbons, The Choir of the AAM, Charmian Bedford, Susanna Spicer, Philippa Hyde, Alastair Ross, Richard Egarr | G Major | 0 | 9B | 70 BPM | ||
| Vater unser im Himmelreich | Samuel Eccard, Clematis | D♭ Minor | 0 | 12A | 113 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Ut te quaeram mente pura" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Te Deum, H. 146: IX. "Fiat misericordia tua Domine" | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
| Madrigali, Op. 1, Book I: No. 18, Al battitor di bronzo della sua crudellissima dama "Quante volte ti bacio, o bronzo amato" | Barbara Strozzi, Dorothee Mields, Hana Blaziková, Hathor Consort, Romina Lischka | F♯ Major | 1 | 2B | 106 BPM | ||
| Fantasia-Suite No. 2 for Treble, Bass Viol and Organ: I. Fancy | Christopher Gibbons, Latitude 37 | D Minor | 0 | 7A | 104 BPM | ||
| The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM | ||
| Madrigali Erotici E Spirituali: Sfogava Con Le Stelle | Consort Of Musicke, Mary Nichols, Gabriele Micheli, Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Evelyn Tubb, Andrew King, Simon Grant | A Minor | 1 | 8A | 130 BPM | ||
| Monteverdi : L'Orfeo : Act 4 "Ahi, vista troppo dolce" [Euridice] | Claudio Monteverdi, Rotraud Hansmann, Nikolaus Harnoncourt & Concentus musicus Wien, Nikolaus Harnoncourt, Concentus Musicus Wien | G Minor | 0 | 6A | 129 BPM |