Hal Ketchum's 'When Blue Was Just A Color' had a release date set for May 18, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 12 in Awaiting Redemption by Hal Ketchum. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. When Blue Was Just A Color is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of When Blue Was Just A Color by Hal Ketchum is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Working Man's Ph.d. | Aaron Tippin | A♭ Major | 8 | 4B | 123 BPM | ||
| Cowboy Cadillac - New Dance Mix | Confederate Railroad | F Major | 7 | 7B | 160 BPM | ||
| Tennessee Flat Top Box | Rosanne Cash | F Minor | 6 | 4A | 98 BPM | ||
| Heads Carolina, Tails California | Jo Dee Messina | E Major | 8 | 12B | 137 BPM | ||
| A Jukebox With a Country Song | Doug Stone | D Major | 7 | 10B | 112 BPM | ||
| Wrong Side Of Memphis | Trisha Yearwood | G Major | 5 | 9B | 142 BPM | ||
| You've Got To Talk To Me | Lee Ann Womack | B Major | 8 | 1B | 111 BPM | ||
| Blue Clear Sky | George Strait | E Major | 8 | 12B | 124 BPM | ||
| Stay Forever | Hal Ketchum | A♭ Major | 3 | 4B | 137 BPM | ||
| The One You Love the Most | Confederate Railroad | A Major | 7 | 11B | 132 BPM | ||
| Give Me One More Chance | Exile | A Major | 8 | 11B | 104 BPM | ||
| It's A Little Too Late | Tanya Tucker | A♭ Major | 7 | 4B | 142 BPM | ||
| The Church On Cumberland Road | Shenandoah | B♭ Major | 8 | 6B | 150 BPM | ||
| What Kind Of Fool Do You Think I Am | Lee Roy Parnell | G Major | 6 | 9B | 112 BPM | ||
| Just Like The Weather | Suzy Bogguss | C Major | 5 | 8B | 133 BPM | ||
| Back In My Arms Again | Lee Roy Parnell | F Major | 7 | 7B | 128 BPM | ||
| Jukebox Junkie | Ken Mellons | A Major | 9 | 11B | 157 BPM | ||
| Like the Rain | Clint Black | D Major | 8 | 10B | 93 BPM | ||
| Bayou Boys | Eddy Raven | A Major | 8 | 11B | 117 BPM | ||
| When Mama Ain't Happy - Single Version | Tracy Byrd | D Major | 9 | 10B | 121 BPM | ||
| Long Shot | Baillie & The Boys | D♭ Major | 4 | 3B | 145 BPM | ||
| Killin' Time | Clint Black | E Major | 8 | 12B | 118 BPM | ||
| Someplace Far Away | Hal Ketchum | C Major | 4 | 8B | 150 BPM | ||
| Standing On the Edge Of Goodbye | John Berry | A Major | 4 | 11B | 138 BPM | ||
| Cafe On The Corner | Sawyer Brown | C Major | 5 | 8B | 92 BPM |