Rajessh Iyer's 'Mere Mehboob Qayamat Hogi - Live Performance' had a release date set for April 27, 2023. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Open Stage Live - Vol 5". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Mere Mehboob Qayamat Hogi - Live Performance is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mere Mehboob Qayamat Hogi - Live Performance by Rajessh Iyer having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| श्री राम चंद्र कृपालु भजमन Shri Ram Chandra Kripalu | Hari cassettes | F Minor | 4 | 4A | 148 BPM | ||
| Kashi Vishwanath Mantra | Avdhesh Goswami, Vivek Bakshi | D♭ Major | 4 | 3B | 100 BPM | ||
| Sai Kanhaiya Sai Kanhaiya | Sri Sathya Sai Bhajans | E Major | 5 | 12B | 132 BPM | ||
| Padhare Ram | Hari Nath Jha, Amit Pathak | D Major | 7 | 10B | 120 BPM | ||
| Narsingh Stotram | kartik ojha | B♭ Major | 4 | 6B | 183 BPM | ||
| Pragat Thaya Prabhu Chhapaiya Gam Re | Hasmukh Patadiya | G Major | 6 | 9B | 114 BPM | ||
| Madhura Mohana Ghana Shyama | Sri Sathya Sai Sandesha Jhari | B♭ Minor | 5 | 3A | 149 BPM | ||
| Kanakambara Kamalasana | Ramakrishna Math, Monks of the Ramakrishna Order | C Minor | 4 | 5A | 97 BPM | ||
| Bhakti Premavina Dnyan Nako Deva | Rekha Manvatkar, Abhang Bhaktigeet | D♭ Major | 6 | 3B | 132 BPM | ||
| Venkateswara Slokam | Meenakuari, Chorus | G Minor | 2 | 6A | 73 BPM | ||
| Shiv Shankar Bhagti | Nandita Sambyal | G Major | 4 | 9B | 126 BPM | ||
| Mere Bhole Baba Ko Anadi Mat | Manish Tiwari | F♯ Major | 4 | 2B | 88 BPM | ||
| Jesal Karile Vichar | Gopal Bharwad | A♭ Major | 7 | 4B | 172 BPM | ||
| Maa Pava Te Gadh Thi | Kanu Patel | B♭ Minor | 4 | 3A | 86 BPM | ||
| Jai Jai Ambe Maa | Navin Tripathi, Gul Saxena, Navin-Manish | F Major | 5 | 7B | 90 BPM | ||
| Gunla Gava Bhaav Ghana Chhe | SRMD Bhakti | F Major | 3 | 7B | 75 BPM | ||
| Aasrayudaa | Hosanna Ministries Official | F Minor | 6 | 4A | 88 BPM | ||
| Maa Ne Ponch Te Garba | Ratan Sinh Vaghela, Damyanti Barot | A Minor | 6 | 8A | 88 BPM | ||
| Krishna Re | Kishan Mahipal | G Minor | 8 | 6A | 143 BPM | ||
| Anand Mangal Karu Aarti Hari Guru Santni Sewa | Trupti Chhaya, Rajendra Pala | A♭ Minor | 5 | 1A | 122 BPM | ||
| Bangaru Kovelo | Anil Kumar | A Minor | 8 | 8A | 139 BPM | ||
| Sri Laxmi Narashimhuni Vedukayo | Akunuri Devayya | B Minor | 6 | 10A | 97 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Har Har Marunga | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Adhyashakti Tujne Namu | Hardik Dave, Rahul Munjariya | F♯ Minor | 5 | 11A | 135 BPM |