On January 1, 2001, the song "Gali Vich Hazaar Gehra" was released by Mohd Sadiq & Ranjit Kaur. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 5th Akhara, so we believe that "Gali Vich Hazaar Gehra" is a single. Based on our statistics, Gali Vich Hazaar Gehra's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Gali Vich Hazaar Gehra by Mohd Sadiq & Ranjit Kaur is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sadi Beet Gayi | Jaswinder Brar | F♯ Major | 5 | 2B | 79 BPM | ||
| Jad Juniyan De Wich Aayi | Amarjeet Nagina, Kiran Jyoti | D♭ Major | 7 | 3B | 125 BPM | ||
| Saadi Dil Haar Gaya Di Milli Na Putteyo Li | Manjit Rupowalia | B Minor | 6 | 10A | 136 BPM | ||
| Buliyan Ras Bhariyan | Amarjit Nagina, Kiranjoti | B Major | 10 | 1B | 90 BPM | ||
| Aaja Ambe Rani | Harbans Lal Bansi | A♭ Major | 9 | 4B | 148 BPM | ||
| Kala Naag | Jagga Safri, Paramjoti | F♯ Minor | 6 | 11A | 95 BPM | ||
| Riban Gaya Na Kateya | Hardev Mahinangal | A Minor | 7 | 8A | 142 BPM | ||
| G T Road Utte | Sajan Firozpuri | B♭ Major | 9 | 6B | 98 BPM | ||
| Door Khinda Te Dane | Durga Rangila | G Minor | 7 | 6A | 140 BPM | ||
| Bhain Meri Di Dhad Vajai | Jagga Safri, Kiranjoti | D Major | 10 | 10B | 96 BPM | ||
| Khind Gya Surman | Veer Davinder | B Minor | 9 | 10A | 84 BPM | ||
| Vihaah Di Chithi | Jaswinder Brar | B Minor | 5 | 10A | 89 BPM | ||
| Jind Sadi Eon Muk Gai | Durga Rangila | D♭ Major | 6 | 3B | 155 BPM | ||
| Munda Homopethi Di Dawai | Harbhajan Shera | F♯ Major | 8 | 2B | 157 BPM | ||
| Up Ki Matwali | Balkar Ankhila, Manjinder Gulshan | A♭ Minor | 9 | 1A | 82 BPM | ||
| Ki Layiye Jurmana | Manjeet Sandhu, Surpreet Soni | G Minor | 7 | 6A | 124 BPM | ||
| Kade Sochiya Nahin Si | Amrita Virk | D Major | 8 | 10B | 83 BPM | ||
| Tu Na Aayea Pardeson | Hardev Mahinangal | A♭ Minor | 6 | 1A | 123 BPM | ||
| Main Teri Minat Karan | Mohd Sadiq & Ranjit Kaur | F♯ Major | 9 | 2B | 101 BPM | ||
| Masa Hath Ayi Mitro | Amarjeet Nagina, Bibi Kiranjyoti | A♭ Minor | 8 | 1A | 123 BPM | ||
| Pardesiyan Naal Yaari | Amrik Toofan, Harjit Mattu | D♭ Major | 7 | 3B | 173 BPM | ||
| Peke Baithi Da | Manjeet Sandhu, Surpreet Soni | G Major | 8 | 9B | 82 BPM | ||
| Tera Dhol Sharabi | Manjeet Sandhu, Surpreet Soni | G Major | 9 | 9B | 117 BPM | ||
| Mainu Dar Jeha Lagda | Hardev Mahinangal, Anita Samana | D♭ Major | 8 | 3B | 90 BPM | ||
| Aakhe Lag Man Meriya | Jaswinder Brar, Balkar Ankhila | D Major | 7 | 10B | 101 BPM |