Barbara Mandrell's ' "Jamestown Ferry" was released on its scheduled release date, May 1, 1973. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Jamestown Ferry's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Midnight Oil (Expanded Edition)". In this album, this song's track order is #3. Based on our statistics, Jamestown Ferry's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Jamestown Ferry by Barbara Mandrell having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ashes To Ashes | Terri Gibbs | F♯ Minor | 4 | 11A | 89 BPM | ||
| Somewhere Tonight | Highway 101 | B Major | 5 | 1B | 130 BPM | ||
| She Came From Fort Worth | Kathy Mattea | B♭ Major | 3 | 6B | 74 BPM | ||
| I'll Never Stop Loving You | Gary Morris | C Major | 4 | 8B | 105 BPM | ||
| The Year That Clayton Delaney Died | Tom T. Hall | D♭ Major | 4 | 3B | 133 BPM | ||
| Something Tells Me | The Forester Sisters | A Major | 5 | 11B | 120 BPM | ||
| You Can't Be A Beacon (If Your Light Don't Shine) | Donna Fargo | F♯ Major | 8 | 2B | 108 BPM | ||
| Fourteen Minutes Old | Doug Stone | E Major | 5 | 12B | 128 BPM | ||
| Heartbroke | Ricky Skaggs | D Major | 6 | 10B | 96 BPM | ||
| It Only Hurts for a Little While | Margo Smith | G Major | 2 | 9B | 78 BPM | ||
| Mary and Willie | K.T. Oslin | B♭ Major | 2 | 6B | 138 BPM | ||
| All Roads Lead to You | Steve Wariner | B Major | 7 | 1B | 129 BPM | ||
| Read My Lips | Marie Osmond | D♭ Major | 6 | 3B | 113 BPM | ||
| A Better Man | Clint Black | E Major | 7 | 12B | 162 BPM | ||
| Chiseled In Stone | Vern Gosdin | E♭ Major | 2 | 5B | 70 BPM | ||
| I'm Gonna Leave You Tomorrow | John Schneider | G Major | 2 | 9B | 97 BPM | ||
| Here Comes My Baby | Dottie West | D Major | 4 | 10B | 88 BPM | ||
| She Left Love All Over Me | Razzy Bailey | D♭ Major | 4 | 3B | 78 BPM | ||
| I Can't Turn the Tide | Baillie & The Boys | E♭ Major | 2 | 5B | 119 BPM | ||
| Aces | Suzy Bogguss | E♭ Major | 5 | 5B | 133 BPM | ||
| Holding Her and Loving You | Earl Thomas Conley | G Major | 3 | 9B | 126 BPM | ||
| What I'd Say | Earl Thomas Conley | F♯ Major | 3 | 2B | 118 BPM | ||
| Feels So Right | Alabama | B♭ Major | 3 | 6B | 90 BPM | ||
| There He Goes | Sissy Spacek | F Major | 3 | 7B | 101 BPM | ||
| A Song In the Night | Johnny Duncan | B♭ Major | 5 | 6B | 137 BPM |