NARAYANSWAMI's ' "Jindgi Sudhar Bande" was released on its scheduled release date, September 9, 1990. This song appears to be safe for all ages as it is not explicit. The song is number 4 out of 6 in Alakh Ke Amal Par, Pt. 26 by NARAYANSWAMI. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Jindgi Sudhar Bande's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jindgi Sudhar Bande by NARAYANSWAMI is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yeh Kis Ki Sada Hai (with Commentary) | Bhupen Hazarika, Gulzar | B♭ Major | 3 | 6B | 137 BPM | ||
| O Din Surta | Gorelal Barman, Ratan Sabiha | E♭ Major | 6 | 5B | 200 BPM | ||
| Khat Likhenge Aapko | Chandan Dass | A♭ Major | 7 | 4B | 107 BPM | ||
| Mari Mena Re Bole | NARAYANSWAMI | F Major | 6 | 7B | 154 BPM | ||
| Hey Mehandipur Ke Bala | Sanjay Bhagi, Rakesh Kala, Vandana Vajpai | F Major | 9 | 7B | 96 BPM | ||
| Bhaj Man Ram Naam | Niti Sagar, Moti Sagar, Preeti Sagar, Namitasagar | G Minor | 4 | 6A | 132 BPM | ||
| Braj Bhumi Mein Ek Samay | Piyusha-Kailash Anuj | F♯ Major | 4 | 2B | 147 BPM | ||
| Mehfil Main Unke | Nitin Mukesh | F Minor | 6 | 4A | 150 BPM | ||
| Pankhiyo | Champa Methi | F Major | 8 | 7B | 90 BPM | ||
| Aukat Meri Kya Hai | Bappi Lahiri | A Major | 6 | 11B | 89 BPM | ||
| Main Jis Mehfil Men | Kishore Kumar, Mahendra Kapoor, Suresh Wadkar, Laxmikant–Pyarelal | C Minor | 4 | 5A | 151 BPM | ||
| Mamta Bawri | Ravindra Jain, Hemlata | F Major | 4 | 7B | 82 BPM | ||
| Gar Khuda Rooth Jaye To Sajda Karun | Mano | E♭ Major | 7 | 5B | 139 BPM | ||
| O Shama Mujhe Phoonk De - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mukesh | F♯ Major | 9 | 2B | 95 BPM | ||
| Tumne Humko Hasna | Sarika Kapoor | A Major | 7 | 11B | 131 BPM | ||
| Natija Achha Niklega - Dulha Bikta Hai / Soundtrack Version | Anwar, Chandrani Mukherjee, Preeti Sagar | A Minor | 4 | 8A | 113 BPM | ||
| Bhat Kunu Chhao Swarg Maa | Narendra Singh Negi | F Major | 5 | 7B | 158 BPM | ||
| O Mere Dil Ke Yaar | Tu Hi Meri Manzil | Naga Navtra | F Major | 2 | 7B | 87 BPM | ||
| Sakhi Ri Tujhe Man Ke Meet Mile | Lata Mangeshkar | D♭ Minor | 2 | 12A | 151 BPM | ||
| Utar Hai Akhade Mein | Asha Bhosle, Kalyanji-Anandji | A♭ Major | 7 | 4B | 131 BPM | ||
| Raat Muraadonwali | Mohammed Aziz, Kavita Krishnamurthy | G Major | 6 | 9B | 104 BPM | ||
| Maa Kamakhya Man Se Jisne | Madhusmita | D♭ Major | 4 | 3B | 112 BPM | ||
| Kamzoron Ki Nahin Hai Duniya,Pt. 1 | H. Faruqi, Mohammed Hussain | D♭ Minor | 4 | 12A | 99 BPM | ||
| Nautak Nautak Ghedon Tak | Asha Bhosle, Narendra Bonsali, Bhushan Mehta | F♯ Major | 6 | 2B | 61 BPM | ||
| Der Khwaja Ki Taraf | Mohammed Aziz | E♭ Major | 1 | 5B | 119 BPM |