"End" by Stephen Rae had its release date on March 16, 2015. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Stephen Rae's "Gallipoli Official Soundtrack" album is number 10 out of 10. End is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of End by Stephen Rae to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They Were Once Madly in Love | Adam Taylor | B♭ Minor | 0 | 3A | 142 BPM | ||
| Jax | Thomas Newman | G Major | 6 | 9B | 78 BPM | ||
| Wendy Suite | Jason Hill | D♭ Minor | 1 | 12A | 68 BPM | ||
| My Dear Anne | Carter Burwell | A Minor | 0 | 8A | 82 BPM | ||
| Amaya's Theme - Version 2 | Ben Salisbury | F Major | 0 | 7B | 73 BPM | ||
| Pierre | Martin Phipps, James Laing, BBC National Orchestra Of Wales | C Minor | 0 | 5A | 88 BPM | ||
| Hand in Hand | Benjamin Gustafsson | G Major | 2 | 9B | 44 BPM | ||
| Don't Go | Este Haim, Christopher Stracey | A Major | 2 | 11B | 136 BPM | ||
| Cape of Storms | Kevin Smuts | B Major | 1 | 1B | 75 BPM | ||
| Bursting through | Stephen Rae | E♭ Major | 0 | 5B | 135 BPM | ||
| What's Wrong With Barry? | West Dylan Thordson | G Major | 0 | 9B | 100 BPM | ||
| Luminescence | Suntapes | A Minor | 4 | 8A | 84 BPM | ||
| No Ball Games (Original Motion Picture Soundtrack) | Patrick Jonsson | C Minor | 1 | 5A | 79 BPM | ||
| On the Road | Jay Wadley | A Major | 0 | 11B | 138 BPM | ||
| The Blessing | Bobby Krlic | D♭ Major | 3 | 3B | 72 BPM | ||
| Turning Over Rocks | Will Bates & Phil Mossman | B♭ Major | 2 | 6B | 83 BPM | ||
| The Library Fight | Ludwig Göransson | A Minor | 1 | 8A | 108 BPM | ||
| L.A. Drive - Original | Ilan Eshkeri | A♭ Minor | 1 | 1A | 79 BPM | ||
| The Hug | Atli Örvarsson | G Major | 0 | 9B | 84 BPM | ||
| Trip to Neptune | Lorne Balfe | B♭ Minor | 1 | 3A | 108 BPM | ||
| The Something Else | Pêtr Aleksänder | D Major | 2 | 10B | 114 BPM | ||
| Haiku | Thomas Newman | F♯ Major | 1 | 2B | 80 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| The Origin of Belief | Francesco Le Metre | C Major | 0 | 8B | 112 BPM | ||
| Love Rushes In | Luke Atencio | D♭ Major | 2 | 3B | 130 BPM |