"Holy, Holy, Holy" by Michael Omartian had its release date on January 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Michael Omartian's "Inspirational Moods - Inspiring Hymns Featuring Piano And Orchestra" album is number 2 out of 12. On top of that, United States appears to be the country where this track was created. Holy, Holy, Holy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holy, Holy, Holy by Michael Omartian to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carrying You | Larry Carlton | C Major | 0 | 8B | 75 BPM | ||
| Quiet breathing | Sereneer | E♭ Major | 0 | 5B | 67 BPM | ||
| Fragments of a Fallen Comet | Celestia Light Orchestra | E♭ Major | 0 | 5B | 67 BPM | ||
| Lullaby, the Unicef Anthem (Solo) | Steve Barakatt | C Major | 2 | 8B | 115 BPM | ||
| Crazy | Gordon Mote | B♭ Major | 1 | 6B | 103 BPM | ||
| The Eyes Of Amelia - Remastered | Eric Tingstad, Nancy Rumbel | G Major | 1 | 9B | 183 BPM | ||
| Al Contrario by Lorenzo | Kostas Christides | C Major | 1 | 8B | 72 BPM | ||
| The Weight of Growing Up | Sol Noir | B♭ Major | 1 | 6B | 157 BPM | ||
| A Tenth Chance | Marlotto | E♭ Major | 0 | 5B | 67 BPM | ||
| The Summer of '42 | Michel Legrand, Amy Dickson, Chris Walden | D Major | 2 | 10B | 145 BPM | ||
| White Horse | Michael Omartian | A Minor | 5 | 8A | 79 BPM | ||
| Born Again | Steve Barakatt | E Major | 3 | 12B | 195 BPM | ||
| If I Could Be with You | Anne Trenning, James Todd | D Major | 1 | 10B | 63 BPM | ||
| After All (Theme From Chances Are) | James A Norkawich | E Major | 2 | 12B | 73 BPM | ||
| Christmas Jumpers | Tom Howe | D Major | 2 | 10B | 135 BPM | ||
| Yesterday's Goodbye | Chris Geith | D Minor | 1 | 7A | 107 BPM | ||
| Forever Yours | Silvard | D Major | 2 | 10B | 98 BPM | ||
| Joyful, Joyful, We Adore Thee with Doxology and To God Be The Glory | Linda McKechnie | C Major | 2 | 8B | 78 BPM | ||
| Portree | Rick Sparks | E Minor | 0 | 9A | 130 BPM | ||
| Brothers in Arms | Richard Sully | C Major | 1 | 8B | 84 BPM | ||
| The Blessing | Michael W. Smith | C Major | 1 | 8B | 137 BPM | ||
| Silent Night II | Anne Trenning | F Major | 1 | 7B | 111 BPM | ||
| Orcas Moon | Christopher Peacock | D Minor | 3 | 7A | 72 BPM | ||
| Somewhere In Time | John Barry | C Major | 1 | 8B | 85 BPM | ||
| Emmaron | Denis Carey | D Major | 1 | 10B | 81 BPM |