"Never Left the Game" by Rupert Cross had its release date on February 2, 2024. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Suicide Squad: Kill the Justice League (Original Video Game Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Never Left the Game is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Never Left the Game by Rupert Cross having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lab | Cris Velasco | F♯ Major | 3 | 2B | 115 BPM | ||
| Following Hobden | Daniel Pemberton | A♭ Major | 3 | 4B | 108 BPM | ||
| Blue Beetle Suite | Bobby Krlic | D Major | 3 | 10B | 92 BPM | ||
| One Call - Episode 3 | Norman Cooper | E Minor | 0 | 9A | 79 BPM | ||
| Bioreactor Time Bomb | Jack Wall, Jim Lordeman | C Major | 5 | 8B | 147 BPM | ||
| Knifey Spoony | Rupert Cross | G Major | 2 | 9B | 121 BPM | ||
| Golf Cart Technology | David Fleming | C Major | 7 | 8B | 102 BPM | ||
| Break The Law | Laura Mvula, Rupert Cross, Theo Vidgen | E Minor | 5 | 9A | 124 BPM | ||
| Holding Down Court | C.A.R., Rupert Cross | A Minor | 3 | 8A | 81 BPM | ||
| Toxicodendron Radicans | Jefferson Friedman | D Major | 3 | 10B | 120 BPM | ||
| Angor Rot Meets Morgana | Tim Davies | D Minor | 3 | 7A | 132 BPM | ||
| In Contempt Of Delacourt/Dance Of The Atrociraptors | Michael Giacchino | B♭ Major | 2 | 6B | 66 BPM | ||
| trouble | kayleb kelebu | D♭ Minor | 9 | 12A | 194 BPM | ||
| too clear | crusha kelebu | D Major | 7 | 10B | 89 BPM | ||
| Titus Versus The Tornado | Brian Tyler | E Minor | 8 | 9A | 81 BPM | ||
| Ride the Badlands | Jeff Danna | F Minor | 5 | 4A | 143 BPM | ||
| Ninja Quiet | Marco Beltrami | D♭ Major | 9 | 3B | 90 BPM | ||
| A Whole Other Person | Laura Mvula, Rupert Cross, Theo Vidgen | A Minor | 3 | 8A | 110 BPM | ||
| Warring States I | Akihiro Manabe | B♭ Minor | 1 | 3A | 120 BPM | ||
| That Worked Out So Well | Laura Mvula, Rupert Cross, Theo Vidgen | F Minor | 2 | 4A | 83 BPM | ||
| Unholy Matrimony Pt. 1 | Marco Beltrami | F♯ Minor | 6 | 11A | 134 BPM | ||
| A Reverse Flashpoint | Blake Neely, Nathaniel Blume | D Major | 1 | 10B | 94 BPM | ||
| You Were Chosen | Ramin Djawadi | B♭ Minor | 2 | 3A | 111 BPM | ||
| Moaanaa | ANGEL FLOW | G Minor | 3 | 6A | 140 BPM | ||
| Going to Tulsa | Jasha Klebe | C Minor | 3 | 5A | 94 BPM |