Darrell Scott's 'After All' had a release date set for 2003. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Theatre Of The Unheard". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, After All's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With After All by Darrell Scott having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wrong Way to Run | Willy Tea Taylor | A♭ Major | 3 | 4B | 114 BPM | ||
| Cold Missouri Waters | Richard Shindell | C Major | 2 | 8B | 87 BPM | ||
| The Twenty Dollar Bill | Chicago Farmer | A♭ Major | 4 | 4B | 97 BPM | ||
| Somewhere in the Middle (feat. Fats Kaplin) | Kieran Kane, Kevin Welch, Fats Kaplin | G Major | 3 | 9B | 133 BPM | ||
| Texas | Wood & Wire | D Major | 3 | 10B | 152 BPM | ||
| Lone Pine Hill | Justin Townes Earle | C Minor | 2 | 5A | 78 BPM | ||
| The Boy Who Wouldn't Hoe Corn | Alison Krauss & Union Station | D Minor | 5 | 7A | 107 BPM | ||
| Cumberland Moon | Steep Canyon Rangers | B Major | 5 | 1B | 114 BPM | ||
| The Road Neverending | The Tillers | C Minor | 5 | 5A | 114 BPM | ||
| How Long | Sierra Hull | B♭ Major | 5 | 6B | 143 BPM | ||
| Flat Top Guitar | Ana Egge | G Major | 5 | 9B | 85 BPM | ||
| Freight Train | Fred Eaglesmith | A Minor | 8 | 8A | 131 BPM | ||
| The Darker Side of Me | Otis Gibbs | E Major | 5 | 12B | 115 BPM | ||
| What Made Milwaukee Famous (Has Made A Loser Out Of Me) | Redbird | C Major | 2 | 8B | 104 BPM | ||
| Let Me Die in My Footsteps | Steep Canyon Rangers | G Major | 3 | 9B | 72 BPM | ||
| Railroad | Béla Fleck, Abigail Washburn | C Minor | 3 | 5A | 118 BPM | ||
| Brokedown Palace (Acoustic Version) | Shinyribs | F Major | 2 | 7B | 113 BPM | ||
| Down in the Lonesome Draw | Cahalen Morrison & Eli West | A Major | 3 | 11B | 144 BPM | ||
| Moving | John Fullbright | D Major | 7 | 10B | 143 BPM | ||
| Must Be the Whiskey | Chip Taylor, Carrie Rodriguez | F Major | 4 | 7B | 94 BPM | ||
| Jeremiah Johnson | Brennen Leigh | G Major | 2 | 9B | 79 BPM | ||
| The More I Learn | Bryan Sutton | E Major | 5 | 12B | 104 BPM | ||
| Black River | Sierra Hull | C Minor | 3 | 5A | 140 BPM | ||
| Blue Is Fallin' | Hot Rize | B♭ Major | 6 | 6B | 157 BPM | ||
| Remember Me If I Forget | Charlie Parr | F♯ Major | 0 | 2B | 117 BPM |