S. P. Balasubrahmanyam, P. Susheela's ' "Telayiani Ragam" was released on its scheduled release date, January 1, 2003. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in K. Chakravarthy's "Mamathala Kovela" album is number 1 out of 4. On top of that, India appears to be the country where this track was created. Based on our statistics, Telayiani Ragam's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Telayiani Ragam by S. P. Balasubrahmanyam, P. Susheela to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Innallu Yemabbullo | Unnikrishnan | F♯ Minor | 9 | 11A | 100 BPM | ||
| Jhummani Thummedha | S. P. Balasubrahmanyam, K. S. Chithra | D Major | 6 | 10B | 84 BPM | ||
| Semmari Aade | Manoj Giyan, Abavanan, Yugendran, S. P. Balasubrahmanyam, Vijaya | E♭ Major | 4 | 5B | 169 BPM | ||
| Abba Rupamentha | S. P. Balasubrahmanyam, K. S. Chithra | B♭ Major | 6 | 6B | 159 BPM | ||
| Ivali Ivvalyna | S. P. Balasubrahmanyam, K. S. Chithra | G Major | 7 | 9B | 123 BPM | ||
| Chittikoona ( Happy ) | S. P. Balasubrahmanyam, S. Janaki | C Minor | 9 | 5A | 111 BPM | ||
| Bhadram Be Carefull | Sri Maruthi, K. Chakravarthy, Sirivennela Seetharama Sastry | G Major | 4 | 9B | 99 BPM | ||
| Addalori Buddayya | Mano | G Major | 5 | 9B | 141 BPM | ||
| Ye Asurudu | Vandemataram Srinivas | A♭ Major | 4 | 4B | 153 BPM | ||
| Undi Undi Urimindi | S. P. Balasubrahmanyam | A Major | 9 | 11B | 117 BPM | ||
| Atho Vaaraandi | Vani Jairam, S. P. Balasubrahmanyam | F Major | 7 | 7B | 139 BPM | ||
| Ayyappa Katha Padana | Pukazhenthi, S. P. Balasubrahmanyam, Vennelakanti | D Minor | 3 | 7A | 171 BPM | ||
| Erumayle Gudilona | Pukazhenthi, S. P. Balasubrahmanyam, Vennelakanti | E Major | 6 | 12B | 157 BPM | ||
| Parimalinchu Punnami | S. P. Balasubrahmanyam, P. Susheela | G Minor | 6 | 6A | 92 BPM | ||
| Jana Nayaka Namma Oorige | S. P. Balasubrahmanyam, Chitra | C Minor | 8 | 5A | 164 BPM | ||
| Oka Venuvu | G. Anand | G Minor | 5 | 6A | 84 BPM | ||
| Nee Navve Chaalu | S. P. Balasubrahmanyam, Chitra, Raj-Koti, Bhuvana Chandra, Vaddepalli Krishna | D Major | 4 | 10B | 93 BPM | ||
| Kanne Pillale | Udit Narayan, Sujatha | E Minor | 9 | 9A | 100 BPM | ||
| Hrudayamane Kovelalo | Madhavapeddi Ramesh | C Minor | 5 | 5A | 115 BPM | ||
| Omkara Panjara Sukeem | P. B. Sreenivas, Madhavapeddi Sathyam | D♭ Minor | 4 | 12A | 107 BPM | ||
| Aanatinundi | S. P. Balasubrahmanyam, P. Susheela | G Major | 9 | 9B | 130 BPM | ||
| Devi Sridevi Vun Thirumal | Gangai Amaran, Vaali, S. P. Balasubrahmanyam, Vani Jairam | A Major | 5 | 11B | 109 BPM | ||
| Telusukonave Yuvathi | Bhanumathi Ramakrishna | F Minor | 3 | 4A | 155 BPM | ||
| Rangu Rangu Rekkala | M. M. Keeravaani | F♯ Major | 8 | 2B | 145 BPM | ||
| Ide Paata, Pt. 1 | K. Muralidhar | A Major | 6 | 11B | 75 BPM |