Johnny Paycheck's ' "Leave It To Me" was released on its scheduled release date, 1978. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 15 in Armed and Crazy (Expanded Edition) by Johnny Paycheck. Leave It To Me is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Leave It To Me by Johnny Paycheck is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mississippi Mud | Hank Williams III | G Major | 8 | 9B | 146 BPM | ||
| Little Bitty Big John | Jimmy Dean | A Major | 5 | 11B | 83 BPM | ||
| Time off for Bad Behavior | Confederate Railroad | G Major | 8 | 9B | 92 BPM | ||
| Misery Loves Company | Porter Wagoner | F Major | 4 | 7B | 189 BPM | ||
| Walking The Floor Over You - 1941 Edit | Ernest Tubb | C Major | 2 | 8B | 114 BPM | ||
| One in a Million | Johnny Lee | G Major | 4 | 9B | 120 BPM | ||
| Brother Jukebox | Mark Chesnutt | D♭ Major | 6 | 3B | 141 BPM | ||
| Finally Friday | George Jones | G Major | 7 | 9B | 134 BPM | ||
| Jimmy Was A Drinkin' Kind Of Man | Johnny Rodriguez | C Major | 2 | 8B | 83 BPM | ||
| The Girl On The Billboard | Del Reeves | D Major | 7 | 10B | 83 BPM | ||
| It Wasn't God Who Made Honky Tonk Angels - 1952 Single Version | Kitty Wells | D♭ Major | 2 | 3B | 122 BPM | ||
| Whiskey Trip | Gary Stewart | D Major | 5 | 10B | 113 BPM | ||
| Pickin' up Strangers | Johnny Lee | C Major | 3 | 8B | 134 BPM | ||
| I'm A White Boy | Merle Haggard, The Strangers | A Major | 7 | 11B | 101 BPM | ||
| The South's Gonna Do It Again | The Charlie Daniels Band | A Major | 5 | 11B | 164 BPM | ||
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| Chiseled In Stone | Vern Gosdin | E♭ Major | 2 | 5B | 70 BPM | ||
| Wolf Creek Pass | C.W. McCall | C Major | 4 | 8B | 125 BPM | ||
| Dakota the Dancing Bear, Pt. II | David Allan Coe | A Major | 4 | 11B | 99 BPM | ||
| Too Many Bridges To Cross Over - Remastered | Merle Haggard & The Strangers | F♯ Major | 5 | 2B | 142 BPM | ||
| Fit to Kill and Going Out In Style | Billy Joe Shaver | B Major | 6 | 1B | 178 BPM | ||
| Play Me Some Fiddle | The Charlie Daniels Band | A Major | 6 | 11B | 143 BPM | ||
| Roll On (Eighteen Wheeler) | Alabama | F Major | 5 | 7B | 132 BPM | ||
| Thinkin' Problem | David Ball | C Major | 6 | 8B | 110 BPM | ||
| Dim Lights, Thick Smoke (And Loud, Loud Music) | Vern Gosdin | E Major | 4 | 12B | 142 BPM |