John Fogerty's ' "A Hundred And Ten In The Shade" was released on its scheduled release date, May 20, 1997. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 14 in Blue Moon Swamp by John Fogerty. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, A Hundred And Ten In The Shade is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of A Hundred And Ten In The Shade by John Fogerty is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Gone | Doug MacLeod | D Major | 3 | 10B | 120 BPM | ||
| World's in a Tangle | Fleetwood Mac | A Major | 4 | 11B | 103 BPM | ||
| Shame on the Moon | Rodney Crowell | G Major | 2 | 9B | 106 BPM | ||
| Gonna Live Again | Walter Trout | G Major | 3 | 9B | 157 BPM | ||
| call to redemption | steve eaglemoore | D Major | 8 | 10B | 90 BPM | ||
| Bring It Down To Jelly Roll | John Fogerty | G Major | 8 | 9B | 120 BPM | ||
| Honey, Hush aka Talking Woman Blues | Albert Collins | D♭ Major | 7 | 3B | 162 BPM | ||
| Pain In My Mind | Trampled Under Foot | B Minor | 5 | 10A | 90 BPM | ||
| I Think I Love You Too Much | The Jeff Healey Band | E♭ Minor | 6 | 2A | 106 BPM | ||
| Hoodoo on Me | Albert Castiglia | D Major | 7 | 10B | 127 BPM | ||
| Madison Blues | George Thorogood & The Destroyers | D Major | 7 | 10B | 142 BPM | ||
| So Near To Nowhere | Curtis Salgado, Alan Hager | D♭ Minor | 5 | 12A | 135 BPM | ||
| Early Morning Blues | Henrik Freischlader | G Major | 6 | 9B | 100 BPM | ||
| I Can't Wait | Kenny Neal | G Major | 6 | 9B | 127 BPM | ||
| Moody River | John Fogerty | E♭ Major | 7 | 5B | 132 BPM | ||
| Long As I Can See The Light | John Fogerty, My Morning Jacket | A Major | 5 | 11B | 128 BPM | ||
| One Night Only | Curtis Salgado, Alan Hager | F Major | 9 | 7B | 147 BPM | ||
| Downey to Lubbock | Dave Alvin, Jimmie Dale Gilmore | F Major | 9 | 7B | 179 BPM | ||
| Mississippi Kid | Jerry Lee Lewis | B♭ Major | 9 | 6B | 117 BPM | ||
| Kansas City Blues | Steve Howell, Jason Weinheimer | B Minor | 3 | 10A | 80 BPM | ||
| That Lucky Old Sun | Leon Russell | A♭ Major | 4 | 4B | 66 BPM | ||
| The Blues Raised Me | Daxlin Veylo | B Minor | 3 | 10A | 102 BPM | ||
| Big Love | Little Village | D Major | 3 | 10B | 131 BPM | ||
| Tanqueray | Johnnie Johnson | D Minor | 6 | 7A | 114 BPM | ||
| train that never comes | Behnita | B Minor | 3 | 10A | 102 BPM |