"Magnificat: X. Suscepit Israel" by Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena had its release date on January 1, 1997. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena's "Guerrero: Motecta" album is number 36 out of 39. On top of that, Mexico appears to be the country where this track was created. Magnificat: X. Suscepit Israel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat: X. Suscepit Israel by Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dulcissima Maria: I. Dulcissima Maria | Francisco Guerrero, Yolanda Lázaro, Alicia Ramonet, Lluis Vilamajo, Tomás Maxè, Ignasi Jorda | C Minor | 1 | 5A | 100 BPM | ||
| Sheppard: Jesu salvator saeculi, redemptis - 4. Chorus sacratus martyrum | John Sheppard, The Tallis Scholars, Peter Phillips | D♭ Major | 1 | 3B | 88 BPM | ||
| Prado verde y florido | Francisco Guerrero, Colombina, La | E♭ Major | 1 | 5B | 119 BPM | ||
| C'est par amour | Thibault Fromant, Ad Dei Gloriam | D Minor | 1 | 7A | 115 BPM | ||
| Jésus, Toi qui as promis | Chœur Éphata, Rogatien Despaigne | E Minor | 1 | 9A | 85 BPM | ||
| Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | G Minor | 2 | 6A | 86 BPM | ||
| Taverner: Dum transisset Sabbatum I | John Taverner, Philip Ledger, Choir of King's College, Cambridge | F Major | 1 | 7B | 133 BPM | ||
| Missa pro defunctis: VI. Agnus Dei | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 169 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| Lachrimae or Seven Tears: V. Lachrimae coactae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | E♭ Minor | 1 | 2A | 86 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Sacrae Cantiones - Duo Seraphim (A 12) | Jordi Savall, Francisco Guerrero | A Minor | 1 | 8A | 74 BPM | ||
| Christ lag in Todesbanden, SSWV 22 | Samuel Scheidt, Vox Luminis, Lionel Meunier, Bart Jacobs | D Minor | 1 | 7A | 137 BPM | ||
| De lamentatione Jeremiae prophetae, T. 171 "Lamentations": I. De lamentatione Jeremiae prophetae | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
| Sheppard: Missa Cantate - 1a. Gloria in excelsis Deo | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 87 BPM | ||
| Dulcissima Maria: II. Audi nos, Sanctissima | Francisco Guerrero, Yolanda Lázaro, Alicia Ramonet, Lluis Vilamajo, Tomás Maxè, Ignasi Jorda | F Minor | 1 | 4A | 84 BPM | ||
| Totus tuus | Chœur Éphata, Rogatien Despaigne | A Minor | 3 | 8A | 99 BPM | ||
| Missa Myn hert: Kyrie | Mathieu Gascongne, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 68 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| French: Dormant | Jacob French, Joel Cohen, Boston Camerata | D Major | 2 | 10B | 97 BPM | ||
| Johann von Gardner, arr: Joulun valovirrelmä (Exapostilarion) | Lumen Valo | E Major | 1 | 12B | 128 BPM | ||
| Guerrero: Trahe me post te | A5 Vocal Ensemble, Francisco Guerrero | B Major | 1 | 1B | 65 BPM | ||
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| Sacrae Cantiones - Laudate Dominum De Caelis (A 8) | Jordi Savall, Francisco Guerrero | A Minor | 1 | 8A | 74 BPM |