Joe Bonamassa's ' "Drive By The Exit Sign" was released on its scheduled release date, July 18, 2025. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 10 in Breakthrough by Joe Bonamassa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Drive By The Exit Sign is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Drive By The Exit Sign by Joe Bonamassa is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just a Little Lie | King King | G Major | 8 | 9B | 104 BPM | ||
| Wasted | Ana Popovic | F Minor | 7 | 4A | 110 BPM | ||
| Borderline | Hollow Souls, Jared James Nichols | D♭ Major | 5 | 3B | 89 BPM | ||
| Hollywood Victim | Don Felder, Brian Tichy | E Major | 2 | 12B | 135 BPM | ||
| Love Is | Tommy Castro, The Painkillers | F Minor | 8 | 4A | 99 BPM | ||
| 7 Generations | Robert Randolph | D Major | 8 | 10B | 98 BPM | ||
| Juke Joint | Eric Steckel | F♯ Major | 7 | 2B | 99 BPM | ||
| My Favorite Color | David Starr | F♯ Minor | 6 | 11A | 176 BPM | ||
| Talkin' Heavy | D.K. Harrell | E Minor | 7 | 9A | 144 BPM | ||
| Darkside | Smith/Kotzen, Adrian Smith, Richie Kotzen | A♭ Minor | 9 | 1A | 170 BPM | ||
| Climbed a Mountain | Thorbjørn Risager & The Black Tornado | C Major | 9 | 8B | 128 BPM | ||
| Strong | King King | G Major | 8 | 9B | 100 BPM | ||
| One More Night | Tommy Castro, The Painkillers | D Minor | 7 | 7A | 94 BPM | ||
| I Take What I Want | Carl Verheyen | C Major | 9 | 8B | 96 BPM | ||
| Just 'Cos You Can Don't Mean You Should | Joe Bonamassa | B Minor | 7 | 10A | 179 BPM | ||
| Evil No More | Boneshakers, Charlie Musselwhite | A Major | 8 | 11B | 110 BPM | ||
| That's My Home | Tom Hambridge, Joe Bonamassa | A♭ Major | 9 | 4B | 116 BPM | ||
| New Orleans | The Doobie Brothers | F♯ Major | 9 | 2B | 120 BPM | ||
| Somebody (feat. Buddy Guy and Roosevelt Collier) | Eric Gales, Buddy Guy, Roosevelt Collier | A♭ Major | 6 | 4B | 112 BPM | ||
| Cold Sweat | Boneshakers | D Major | 7 | 10B | 121 BPM | ||
| Kathleen | Jesse Dayton, Ian Moore, Johnny Moeller | A Minor | 7 | 8A | 125 BPM | ||
| Dark Gospel | Hurricane James Blues Project | F Major | 6 | 7B | 168 BPM | ||
| Hard Again | Walk That Walk | G Major | 7 | 9B | 174 BPM | ||
| You Upset Me Baby | Joe Bonamassa, Chris Cain | B Major | 8 | 1B | 147 BPM | ||
| Holding Back | Laurence Jones | D♭ Minor | 8 | 12A | 127 BPM |