"Bach, JS: Keyboard Concerto in D Minor, BWV 974: II. Adagio (After Marcello's Oboe Concerto)" by Johann Sebastian Bach, Alexandre Tharaud, Les Violins du Roy, Bernard Labadie had its release date on February 14, 2025. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 47 out of 70 in All We Need Is Love (& Classical Music) - A Valentine's Day Collection by Wolfgang Amadeus Mozart, Alexander Borodin, Antonio Vivaldi, Camille Saint-Saëns, Christoph Willibald Gluck, Claude Debussy, Dmitri Shostakovich, Edvard Grieg, Emmanuel Chabrier, Erik Satie, Felix Mendelssohn, Francis Poulenc, Franz Liszt, Franz Schubert, François Couperin, Frédéric Chopin, Gabriel Fauré, George Frideric Handel, George Gershwin, Giuseppe Verdi, Heitor Villa-Lobos, Jacques Offenbach, Jean Sibelius, Jean-Philippe Rameau, Johann Sebastian Bach, Johann Strauss II, John Dowland, Jules Massenet, Ludwig van Beethoven, Léo Delibes, Maurice Ravel, Pyotr Ilyich Tchaikovsky, Robert Schumann, Sergei Prokofiev, Sergei Rachmaninoff, Edward Elgar. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Keyboard Concerto in D Minor, BWV 974: II. Adagio (After Marcello's Oboe Concerto) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Keyboard Concerto in D Minor, BWV 974: II. Adagio (After Marcello's Oboe Concerto) by Johann Sebastian Bach, Alexandre Tharaud, Les Violins du Roy, Bernard Labadie is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ave Maria, S. 558/12 | Franz Schubert, Lang Lang | B♭ Major | 0 | 6B | 64 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| Round O, ZT 684 - Live | Henry Purcell, Grigory Sokolov | D Minor | 1 | 7A | 77 BPM | ||
| Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina | Johann Sebastian Bach, Márta Kurtág, György Kurtág | F Major | 3 | 7B | 102 BPM | ||
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 141 | Martha Argerich | F♯ Major | 3 | 2B | 104 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 121 BPM | ||
| Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
| Prelude No. 3 "Nina's Convention" | John Lewis, Johann Sebastian Bach | C Major | 1 | 8B | 93 BPM | ||
| Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
| Partita No. 2 in C Minor, BWV 826: II. Allemande | Johann Sebastian Bach, Simone Dinnerstein | C Minor | 1 | 5A | 179 BPM | ||
| Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
| The Notebook for Anna Magdalena Bach: No. 5, Menuet in G Minor - Formerly Attributed to Johann Sebastian Bach as BWV Anh. 115 | Christian Petzold, Christos Tsitsaros | G Minor | 2 | 6A | 117 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| St. Matthew Passion, Bwv 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | D Major | 2 | 10B | 75 BPM | ||
| Suite No. 3 in D Minor, HWV 428: III. Allemande | George Frideric Handel, Dina Ugorskaja | D Minor | 1 | 7A | 62 BPM | ||
| Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
| Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
| Sonata in B Minor, K 27 | Domenico Scarlatti, Murray Perahia | D Major | 1 | 10B | 117 BPM | ||
| Violin Concerto in E Major, Bwv 1042: II. Adagio | Arthur Grumiaux, Johann Sebastian Bach, Zurich Chamber Orchestra, Edmond De Stoutz | D♭ Minor | 1 | 12A | 79 BPM | ||
| Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
| Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.8 in E flat minor BWV853 | Daniel Barenboim | E♭ Minor | 0 | 2A | 118 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM |