"Obstinate" by Marius Nitzbon had its release date on November 2, 2018. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 10 out of 12 in Colours for the Blind by Marius Nitzbon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Obstinate is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Obstinate by Marius Nitzbon is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aether | Cedric Vermue | A♭ Minor | 1 | 1A | 66 BPM | ||
| to be found - Living Room Version | Marius Nitzbon | A♭ Major | 3 | 4B | 123 BPM | ||
| Retrospective | Rebecca Jean Rossi | C Major | 1 | 8B | 143 BPM | ||
| Ocean | Jordane Tumarinson | G Minor | 0 | 6A | 153 BPM | ||
| Holtnevel | Niklas Paschburg | F♯ Major | 4 | 2B | 95 BPM | ||
| Thoughts and other problems | Glückskind | E♭ Major | 3 | 5B | 156 BPM | ||
| Lull | Matteo de Grandis | E Major | 3 | 12B | 128 BPM | ||
| With You | Matteo de Grandis | B♭ Major | 1 | 6B | 106 BPM | ||
| Comosa | Rose Riebl | A♭ Minor | 2 | 1A | 168 BPM | ||
| Track 3 | BARTH. | D Minor | 1 | 7A | 126 BPM | ||
| From All Who Came Before | BPMoore | E♭ Minor | 1 | 2A | 70 BPM | ||
| 2400 | Martyn Heyne | E♭ Minor | 1 | 2A | 104 BPM | ||
| Distant Echo | Elyra Noq | F♯ Major | 1 | 2B | 129 BPM | ||
| Fir forest | Mats Raynard | C Minor | 1 | 5A | 61 BPM | ||
| Freudentränen | Martin Roth | D Minor | 2 | 7A | 110 BPM | ||
| Imelda - Peter Sandberg Rework | Douran, Peter Sandberg | G Minor | 2 | 6A | 89 BPM | ||
| Ecos del Pasado | Cedric Vermue | G Minor | 2 | 6A | 93 BPM | ||
| Self Portrait | Matteo Myderwyk | E Major | 1 | 12B | 80 BPM | ||
| Shapes | Lennart Altgenug | C Minor | 1 | 5A | 98 BPM | ||
| Moving Softly (piano and strings) | Rolando Marchesini, Eben Vogel, Doina Bora | E Major | 1 | 12B | 80 BPM | ||
| There Is Much More Sea Than We Can Imagine | Antonio Ministeri, La Louve | D Major | 2 | 10B | 84 BPM | ||
| Current | Phoria | A♭ Minor | 1 | 1A | 78 BPM | ||
| Words Like First Light | Levi Patel | G Major | 0 | 9B | 144 BPM | ||
| Residue | Luca Longobardi | C Minor | 2 | 5A | 152 BPM | ||
| Love In Our Hands - Omfeel Remix | Croquet Club, Omfeel | B Major | 2 | 1B | 102 BPM |