What is the BPM for 夜想曲第8番変ニ長調作品27-2 by F.F. ショパン, カール＝アンドレアス・コリー（ピアノ）?

The tempo for 夜想曲第8番変ニ長調作品27-2 is 63 beats per a minute with a half-time of 32 BPM and a double-time of 126 BPM.

What is the music key for 夜想曲第8番変ニ長調作品27-2 by F.F. ショパン, カール＝アンドレアス・コリー（ピアノ）?

The music key for 夜想曲第8番変ニ長調作品27-2 is D♭ Major or a camelot key of 3B.

夜想曲　第8番　変ニ長調　作品27-2 by F.F. ショパン, カール＝アンドレアス・コリー（ピアノ） Song Details

"夜想曲　第8番　変ニ長調　作品27-2" by F.F. ショパン, カール＝アンドレアス・コリー（ピアノ） had its release date on May 26, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 20 in F.F. ショパン：夜想曲集 by F.F. ショパン, カール＝アンドレアス・コリー（ピアノ）. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. 夜想曲　第8番　変ニ長調　作品27-2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of 夜想曲　第8番　変ニ長調　作品27-2 by F.F. ショパン, カール＝アンドレアス・コリー（ピアノ） is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -28.1 dB
Acousticness: 99%
Danceability: 28%
Energy: 2%
Instrumentalness: 93%
Liveness: 9%
Loudness: 53%
Speechiness: 4%
Valence: 5%

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