Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson's 'Tandem: III. Rustico' had a release date set for October 3, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Carl-Johan Stjernstrom, Malmö Symphony Orchestra, Musica Vitae, Joachim Gustafsson's "Music from Malmö, Vol. 1: 3 New Concertos for Bass Clarinet" album is number 7 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Tandem: III. Rustico is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tandem: III. Rustico by Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theme from “Schindler’s List” | Cocomi, 東 亮汰, 田原綾子, Haruma Sato | D Minor | 0 | 7A | 92 BPM | ||
| Particles Waves | Benjamin Woodgates, Calum Huggan, Angela Wai Nok Hui | D♭ Major | 0 | 3B | 109 BPM | ||
| Schön Rosmarin | Fritz Kreisler, Michael Collins, Michael McHale | G Major | 1 | 9B | 99 BPM | ||
| Limestone & Felt | Caroline Shaw, Anastasia Kobekina, Mariana Doughty | F♯ Major | 2 | 2B | 142 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 1, Allegro molto (Arr. G. Frost for clarinet and orchestra) | Johannes Brahms, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti | G Minor | 1 | 6A | 135 BPM | ||
| Three Romances, Op. 94: No. 2, Einfach, innig | Robert Schumann, Jean Johnson, Steven Osborne | D♭ Major | 0 | 3B | 109 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| Lieder ohne Worte VI, Op. 67: V. Moderato, MWV U184 "The Shepherd's Complaint" (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | B Minor | 1 | 10A | 128 BPM | ||
| Ricordi | Lucia Di Veroli, Fortibus Ensemble | B♭ Minor | 0 | 3A | 92 BPM | ||
| Trois petites pièces: Clair de Lune | Augusta Holmès, Juliette Hurel, Hélène Couvert | F Minor | 0 | 4A | 81 BPM | ||
| Hungarian Rhapsody No. 8 | Bryant Paskewitz, Yaroslav Medvedev-Taraldset | G Minor | 4 | 6A | 166 BPM | ||
| Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro | Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E Minor | 2 | 9A | 129 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Dance Preludes for Clarinet and Piano: No. 2, Andantino | Witold Lutosławski, Anastasia Schmidlin, Denis Zhdanov | B♭ Minor | 0 | 3A | 133 BPM | ||
| 3.Fantasioso (3 Valses Líricos) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
| Andalouse, Op. 20 No. 8 | Emile Pessard, Amy Dickson, Daniel de Borah | F♯ Minor | 0 | 11A | 74 BPM | ||
| Capriccio No. 5 in La minore, Op. 1 | Gianluca Campi | A Minor | 4 | 8A | 97 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | D♭ Major | 0 | 3B | 109 BPM | ||
| Ballade for Violin and Orchestra | Heath Olean, Yaroslav Medvedev-Taraldset | B Minor | 1 | 10A | 83 BPM | ||
| Prelude to Dorotea | Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | D♭ Major | 0 | 3B | 109 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| Ave Maria, CG 89a | Johann Sebastian Bach, Charles Gounod, Ludmila Peterková, Irina Kondratenko | C Major | 0 | 8B | 133 BPM | ||
| La Fontaine D' Arethuse from Mythes, Op. 30 | Karol Szymanowski, Keiko Tokunaga | D♭ Minor | 2 | 12A | 71 BPM |