"The Shield Is Gone" by Andrew Lockington, Tiff Randol, Nicholas Dodd had its release date on August 5, 2013. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Percy Jackson: Sea of Monsters". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The Shield Is Gone is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Shield Is Gone by Andrew Lockington, Tiff Randol, Nicholas Dodd having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jim And Blinky | Tim Davies | F Major | 2 | 7B | 96 BPM | ||
| Legend of Eragon | James Shearman | D Major | 2 | 10B | 77 BPM | ||
| Streets Are Listening | Charles Eglee, Andrew Lockington, Emilie-Claire Barlow | A♭ Major | 2 | 4B | 132 BPM | ||
| Fawn Discovers Gruff | Joel McNeely | E Minor | 1 | 9A | 101 BPM | ||
| Meet Bolt - Score | John Powell | G Major | 1 | 9B | 76 BPM | ||
| Mostrando Potenciales | Los Elocuentes | A Minor | 3 | 8A | 158 BPM | ||
| Stay Down | Steve Jablonsky | D Minor | 1 | 7A | 82 BPM | ||
| All He Wanted Was Peace | Geoff Zanelli | D Minor | 1 | 7A | 70 BPM | ||
| The Scouts Capture Gruff | Joel McNeely | F Major | 1 | 7B | 70 BPM | ||
| Where Were You on St. Rhino's Day? - Score | John Powell | F♯ Minor | 2 | 11A | 171 BPM | ||
| Sacrifice | Tyler Bates | A Minor | 2 | 8A | 118 BPM | ||
| Possession | Nicholas Hooper | D♭ Major | 1 | 3B | 76 BPM | ||
| Humans / Diego | David Newman | G Major | 3 | 9B | 80 BPM | ||
| The Mortal Cup | Atli Örvarsson | D Minor | 2 | 7A | 66 BPM | ||
| Giving Back The Baby | David Newman | E Minor | 2 | 9A | 119 BPM | ||
| The Baudelaire Orphans | Thomas Newman | D Minor | 0 | 7A | 123 BPM | ||
| Chimera | Bear McCreary, Sparks & Shadows | A Minor | 1 | 8A | 64 BPM | ||
| Embankment | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Tote Sonne | Saleh Sarabov, Saleh Sarab | E Major | 1 | 12B | 45 BPM | ||
| The Tournament Begins | Rob Lane | D Minor | 5 | 7A | 78 BPM | ||
| Golden Gate Bridge | Patrick Doyle | D♭ Major | 2 | 3B | 160 BPM | ||
| Fourteen | Jack Dalton | F Major | 0 | 7B | 66 BPM | ||
| Journey Theme | Andrew Lockington | G Minor | 3 | 6A | 106 BPM | ||
| How Was She? | John Ottman, Jeffrey Schindler, American Federation of Musicians | A♭ Major | 0 | 4B | 83 BPM | ||
| Tristan | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 0 | 9B | 73 BPM |