"Dark Hearts" by Dan Deacon had its release date on October 17, 2025. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Dark Hearts's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Task (Original Series Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Dark Hearts's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dark Hearts by Dan Deacon having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Howland - Late Night Final Remix | Public Service Broadcasting, Late Night Final | E Major | 2 | 12B | 78 BPM | ||
| Slammer | Jamin Winans | B♭ Major | 6 | 6B | 100 BPM | ||
| What Kind of World We Created? | Alexei Aigui | D Minor | 1 | 7A | 68 BPM | ||
| Forlorn | Dan Deacon | F Minor | 1 | 4A | 152 BPM | ||
| The Intruder Footage | Jimmy Lavalle, The Album Leaf | F Minor | 1 | 4A | 65 BPM | ||
| Expand | CHLOE (Thévenin) | F♯ Minor | 0 | 11A | 77 BPM | ||
| They felt tiny, standing next to the monolith | Jay Hosking | C Major | 1 | 8B | 102 BPM | ||
| Thieves | Martin Phipps | F♯ Minor | 0 | 11A | 77 BPM | ||
| After the Hunt, Two | Trent Reznor and Atticus Ross | C Minor | 0 | 5A | 79 BPM | ||
| Shadows in the Alleys | Calibro 35 | D Major | 8 | 10B | 100 BPM | ||
| The Cut | Bryce Dessner | F Major | 4 | 7B | 135 BPM | ||
| Watching | Ben Salisbury, Geoff Barrow | B Major | 0 | 1B | 130 BPM | ||
| Static Survives | Sad Moses | F Major | 2 | 7B | 70 BPM | ||
| Castle Rocks | Rudy Adrian | A Minor | 0 | 8A | 69 BPM | ||
| Itemized Receipt | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| In all my philosophy | Max Richter | C Major | 0 | 8B | 67 BPM | ||
| Flashbacks | Atli Örvarsson, Kjartan Holm, Sin Fang | C Minor | 1 | 5A | 66 BPM | ||
| Catch Me If You Can | Nick Cave, Warren Ellis | G Minor | 1 | 6A | 102 BPM | ||
| Dusk (Circle 58) | Foam and Sand, Robot Koch | F Major | 1 | 7B | 46 BPM | ||
| Diabaté... Koumba Diabaté | Dave Porter | A Major | 1 | 11B | 110 BPM | ||
| Deep State | Laura Karpman | F♯ Minor | 2 | 11A | 123 BPM | ||
| Dominate Dominate | Xhosa Zediah | B♭ Major | 0 | 6B | 220 BPM | ||
| Rob's Journey | Federico Jusid | A Minor | 1 | 8A | 64 BPM | ||
| Don't Do This | Dustin O'Halloran | C Minor | 0 | 5A | 80 BPM | ||
| Combine | Dan Deacon, London Contemporary Orchestra, Royal Scottish National Orchestra | B♭ Major | 7 | 6B | 150 BPM |