"Happy Hour" by David Fleming had its release date on November 26, 2025. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Happy Hour's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 18 in Eternity (Original Soundtrack) by David Fleming. Based on our statistics, Happy Hour's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Happy Hour by David Fleming is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Star Trek: Starfleet Academy End Titles | Jeff Russo | F♯ Minor | 2 | 11A | 118 BPM | ||
| Fashion Was Everything | David Schweitzer | A♭ Major | 3 | 4B | 95 BPM | ||
| Boys Move Out Montage | John Debney | C Major | 6 | 8B | 112 BPM | ||
| Mary, alone again | John Lunn | A Minor | 3 | 8A | 165 BPM | ||
| Hopes of Spring | Jonatan Järpehag | D Major | 5 | 10B | 66 BPM | ||
| History Will Remember Us | Ramin Djawadi | C Major | 3 | 8B | 90 BPM | ||
| It Has to Be Bill | Murray Gold | G Minor | 3 | 6A | 115 BPM | ||
| The Escape | Christopher Bear | E Minor | 0 | 9A | 77 BPM | ||
| Being Human | David Fleming | D Major | 7 | 10B | 86 BPM | ||
| Wicked: For Good Suite | John Powell, Stephen Schwartz | B Major | 6 | 1B | 79 BPM | ||
| Window Weather | Jónsi, Alex Somers | F♯ Major | 1 | 2B | 173 BPM | ||
| Fairy Bridge | Magic Philharmonic Orchestra | F♯ Minor | 2 | 11A | 118 BPM | ||
| Wedding Preparations | John Powell, Stephen Schwartz | E Major | 1 | 12B | 84 BPM | ||
| End Credits (I Still Love You, Tokyo) | Daniel Lopatin | E Minor | 3 | 9A | 140 BPM | ||
| To Sell Spruce | Per Störby Jutbring | A Major | 0 | 11B | 82 BPM | ||
| The Great Tree | Christopher Willis | E Minor | 2 | 9A | 75 BPM | ||
| Lost Woods | ROZEN | A Minor | 3 | 8A | 170 BPM | ||
| What About Happy Endings | Siddhartha Khosla | E♭ Major | 0 | 5B | 75 BPM | ||
| In all my philosophy | Max Richter | C Major | 0 | 8B | 67 BPM | ||
| The Scale of the Human Heart | Bear McCreary, Sparks & Shadows | B♭ Major | 2 | 6B | 111 BPM | ||
| Plus petit | Alexandre Desplat | A Minor | 1 | 8A | 63 BPM | ||
| Mother Dies | Alexandre Desplat, Eldbjørg Hemsing | D Minor | 1 | 7A | 111 BPM | ||
| Materialists | Daniel Pemberton | C Major | 1 | 8B | 86 BPM | ||
| Selling Your Soul | Alexandre Desplat | C Major | 1 | 8B | 76 BPM | ||
| Rêverie, CD 76 (Arr. for Marimba and Strings by Takeshi Fuse) | Claude Debussy, Mika Stoltzman, Steven Lipsitt, members of the Boston Symphony Orchestra, members of the Boston Modern Orchestra Project | F Major | 0 | 7B | 78 BPM |