"ひたすらな道 姫" by 高田三郎, 盛岡コメット混声合唱団, 水野朋子 had its release date on January 22, 1997. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 日本合唱曲全集/高田 三郎 作品集2, so we believe that "ひたすらな道 姫" is a single. Based on our statistics, ひたすらな道 姫's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ひたすらな道 姫 by 高田三郎, 盛岡コメット混声合唱団, 水野朋子 is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| A Red, Red Rose | James Mulholland, Kansas City Chorale, Charles Bruffy | D Major | 0 | 10B | 82 BPM | ||
| Angel vopiyashe (Paschal Hymn to the Virgin) | Pavel Chesnokov, Natalia Kornieva, St.Petersburg Chamber Choir, Nikolai Korniev | D Major | 1 | 10B | 77 BPM | ||
| Hébé, Op. 2 No. 6 | Ernest Chausson, Axel Bauni, Stella Doufexis | A Minor | 0 | 8A | 85 BPM | ||
| A Child of our Time, Part I: A Spiritual. Steal away (Soprano, Tenor, Chorus) | Michael Tippett, Pumeza Matshikiza, Joshua Stewart, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | G Major | 1 | 9B | 81 BPM | ||
| Õthul | University Of Pretoria Camerata | E♭ Major | 1 | 5B | 74 BPM | ||
| Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
| Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM | ||
| Mass: VI. Agnus Dei | Steve Dobrogosz, St. Jacob's Chamber Choir, Stockholm Chamber Orchestra, Gary Graden | C Major | 1 | 8B | 85 BPM | ||
| Silent Noon | Ralph Vaughan Williams, Kitty Whately, Joseph Middleton | E♭ Major | 0 | 5B | 68 BPM | ||
| O Kont Ich Fliegen | Aled Jones | G Major | 2 | 9B | 145 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
| Hansel and Gretel: Evening Prayer | Engelbert Humperdinck, Jonathan Bradley, Michael Leighton Jones | D Major | 0 | 10B | 74 BPM | ||
| Say not the struggle naught availaeth - Soprano & Piano Version | Hilgrove Kenrick, Jessica Maton | B♭ Minor | 0 | 3A | 108 BPM | ||
| Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
| Saint-Saens: Ave Maria | Camille Saint-Saëns, The Sixteen | A Major | 0 | 11B | 88 BPM | ||
| Footprints: II. Footprints | Will Todd, Christopher Finch, Wellensian Consort | F♯ Major | 2 | 2B | 67 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Hilloria Island | Jeremy Marlon, Jeremy Mano | E♭ Minor | 2 | 2A | 81 BPM | ||
| Locus iste | Anton Bruckner, Choir of St. John's College, Cambridge, Andrew Nethsingha | B Minor | 1 | 10A | 137 BPM | ||
| In terra pax, Part III: Notre Père, qui es aux cieux (Our Father which art in heaven) | Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus | B♭ Minor | 0 | 3A | 82 BPM | ||
| I’ll Be On My Way | Shawn Kirchner, Santa Fe Desert Chorale, Joshua Habermann, Jeff Lankov | G Major | 1 | 9B | 167 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IIb. Kyrie eleison | Edward Elgar, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | D Minor | 1 | 7A | 93 BPM | ||
| Go To Hell World! | Sarah Dacey, Belinda Jones | F Minor | 0 | 4A | 66 BPM |