Nate Fifield's 'Better in Time (Adage 2)' had a release date set for August 15, 2017. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Better in Time (Adage 2)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Pop Hits for Ballet Class, Vol. 3". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Better in Time (Adage 2) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Better in Time (Adage 2) by Nate Fifield having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slow Pirouette / Balance | Harris, Lisa Harris | C Major | 1 | 8B | 127 BPM | ||
| Frappé Roudnev, Vol. 2 | Marina Stolyar, Dmitri Roudnev | A Minor | 1 | 8A | 77 BPM | ||
| Frappés | Adrienne Ramm | D♭ Minor | 3 | 12A | 162 BPM | ||
| Tendu 1 (La Sylphide) | Elena Baliakhova | A Major | 2 | 11B | 122 BPM | ||
| Thinking out Loud (Ronds De Jambe En L'air) | Nate Fifield | D Major | 2 | 10B | 141 BPM | ||
| Unchained Melody (Adage 2) | Nate Fifield | G Major | 2 | 9B | 94 BPM | ||
| A Whole New World (Plie: 3/4) | Lisa Harris | D Major | 1 | 10B | 125 BPM | ||
| Plié Love Affair | Akiko Hobson | A Major | 1 | 11B | 129 BPM | ||
| Glisse / Jete (You Could Drive a Person Crazy) | Christopher N Hobson | F♯ Major | 1 | 2B | 69 BPM | ||
| Grande Allegro Waltz | Adrienne Ramm | C Major | 4 | 8B | 99 BPM | ||
| Plies 3/4 (32 counts x 8 positions) | Hunter Brown Ballet | D Major | 0 | 10B | 73 BPM | ||
| Pas De Bourrée Pointe. Metre 4/4. | Vadim Proshich, MetodoVadim | F Major | 2 | 7B | 90 BPM | ||
| Battements frappés (J. Strauss II Op.214) | Youngsin Sarah Choi | F Major | 2 | 7B | 90 BPM | ||
| Honor to Us All (From "Mulan"): Pas De Cheval 16x8 | Ray Lindsey | D Minor | 3 | 7A | 105 BPM | ||
| Arabian Nights - Fondu | Peter James | A Minor | 2 | 8A | 112 BPM | ||
| Adagio at the Barre (from La Bayadère) | Douglas Schultz, Ludwig Minkus | A Major | 1 | 11B | 140 BPM | ||
| Barre: Fondus and Balance | Nolwenn Collet | E♭ Minor | 9 | 2A | 123 BPM | ||
| Hopelessly Devoted to You (Adage 2) | Nate Fifield | B Minor | 0 | 10A | 94 BPM | ||
| Petit Allegro 6/8 Clog Dance Steady Tempo | Debbi Parks | G Minor | 1 | 6A | 124 BPM | ||
| Waltz (From "Ruses D’Amours", Scene 4) [Pliés, 3/4: 16 X 8] | Normand Babin | B Minor | 1 | 10A | 107 BPM | ||
| Pirouette: Prima Donna (From "Phantom of the Opera") | Trisha Wolf | F Major | 3 | 7B | 130 BPM | ||
| Grand Allegro II: Center Floor Technique | David Howard, Alla Reznik | A Major | 3 | 11B | 93 BPM | ||
| Glisses Giselle | Debbi Parks | D Major | 1 | 10B | 134 BPM | ||
| Frappe 4/4 - Money Money Money | Erik Geddis | D Minor | 3 | 7A | 132 BPM | ||
| Battements tendus jetés Ⅰ 2/4 (The Sleeping Beauty) | Eun S. Kim | E♭ Major | 4 | 5B | 140 BPM |