Arthur Conley's ' "I'll Take the Blame" was released on its scheduled release date, 1967. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. I'll Take the Blame's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Shake, Rattle & Roll". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, I'll Take the Blame's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With I'll Take the Blame by Arthur Conley having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Becomes of the Broken Hearted | The Contours | F Major | 6 | 7B | 107 BPM | ||
| Woman's Got Soul | The Impressions | A♭ Major | 5 | 4B | 118 BPM | ||
| Just One Look | Doris Troy | F Major | 4 | 7B | 108 BPM | ||
| Soul Time | Shirley Ellis | F♯ Major | 7 | 2B | 139 BPM | ||
| The Boy From New York City | The Ad Libs | B Major | 9 | 1B | 149 BPM | ||
| Breakout | Mitch Ryder and The Detroit Wheels | G Minor | 7 | 6A | 152 BPM | ||
| Pouring Water on a Drowning Man | James Carr | C Major | 6 | 8B | 111 BPM | ||
| My Girl | Arthur Conley & The Sweaters, Arthur Conley, The Sweaters | A♭ Major | 3 | 4B | 178 BPM | ||
| Hold On | The Radiants | A♭ Major | 6 | 4B | 189 BPM | ||
| Is That You Love | Arthur Conley | D♭ Minor | 3 | 12A | 105 BPM | ||
| If This Is Love (I'd Rather Be Lonely) | Geno Washington, The Ram Jam Band | G Major | 8 | 9B | 130 BPM | ||
| The Watusi | The Vibrations | D♭ Major | 6 | 3B | 65 BPM | ||
| You've Got My Mind Messed Up | James Carr | F Minor | 6 | 4A | 96 BPM | ||
| Love's Gone Bad - Single Version | Chris Clark | B♭ Minor | 6 | 3A | 119 BPM | ||
| Can I Get A Witness - Single Version | Barbara Randolph | D♭ Major | 8 | 3B | 102 BPM | ||
| A Shot of Rhythm and Blues | Arthur Alexander | B♭ Major | 6 | 6B | 125 BPM | ||
| 634-5789 | Eddie Floyd | C Major | 3 | 8B | 105 BPM | ||
| I Can't Get Enough | Willie Hutch | A♭ Major | 6 | 4B | 110 BPM | ||
| Last Night | The Mar-Keys | C Major | 6 | 8B | 127 BPM | ||
| A Shot of Rhythm And Blues | Jimmy Hughes | A♭ Minor | 7 | 1A | 161 BPM | ||
| Ya Ya | Lee Dorsey | F Major | 5 | 7B | 141 BPM | ||
| So Grateful | The Contours | F Major | 6 | 7B | 108 BPM | ||
| Heaven Must Have Sent You | The Elgins | D Minor | 6 | 7A | 70 BPM | ||
| Neighbor, Neighbor | Jimmy Hughes | A♭ Minor | 7 | 1A | 161 BPM | ||
| Burning Fire | Arthur Conley | D♭ Major | 4 | 3B | 120 BPM |