Asha Bhosle, Varsha Bhosle's ' "Kunya Rajana Rajana" was released on its scheduled release date, December 31, 1977. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Kunya Rajana Rajana's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hridaynath Mangeshkar, N.D.Mahanor's "Jait Re Jait" album is number 13 out of 13. On top of that, India appears to be the country where this track was created. In terms of popularity, Kunya Rajana Rajana is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kunya Rajana Rajana by Asha Bhosle, Varsha Bhosle to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gele Te Din Gele | Hridaynath Mangeshkar | F♯ Minor | 2 | 11A | 139 BPM | ||
| Me Sharan Tula | Sakhrabai Tekale, Gajrabai Bumbhe, Chandan Kamble | F♯ Minor | 9 | 11A | 135 BPM | ||
| Shri Swami Samartha (From "Savita Damodar Paranjpe") | Adarsh Shinde, Swapnil Bandodkar, Amitraj | D Major | 6 | 10B | 122 BPM | ||
| Khelatana Rang Bai Holicha | Sulochana Chavan | A Major | 8 | 11B | 111 BPM | ||
| Zali Phule Kalyanchi | Arun Date | F♯ Minor | 2 | 11A | 168 BPM | ||
| Naka Varcha Ragala | Ashok Saraf | F Major | 7 | 7B | 115 BPM | ||
| Ajuni Rusun Ahe | Bhuvanesh Komkali | F Minor | 6 | 4A | 102 BPM | ||
| Vrukshawalli Amha Soyare Vanachare (From "Tukaram") | Ashok Patki, Anirudha Joshi | D♭ Major | 7 | 3B | 91 BPM | ||
| Jaise Jyache Karma Taise | Vicky Girish Adsule | E♭ Minor | 5 | 2A | 97 BPM | ||
| Pori Jaraas Lavshil Ka | Mahendra Kapoor, Shaila Chikhale | G Minor | 8 | 6A | 88 BPM | ||
| Gaar Waara Ha Bharara | Milind Ingle | G Major | 6 | 9B | 84 BPM | ||
| Aali Naar Thumkat Murdat | Wagya | F Major | 7 | 7B | 194 BPM | ||
| Na Manjur | Salil Kulkarni, Sandeep Khare | F♯ Major | 7 | 2B | 89 BPM | ||
| Yeshil Yeshil Rani | Arun Date | C Major | 5 | 8B | 201 BPM | ||
| Mandirat Antarat | Sudhir Phadke, Uttara Kelkar | E♭ Major | 6 | 5B | 129 BPM | ||
| Rajas Sukumar Madanacha Putala | Bhimsen Joshi | A Major | 4 | 11B | 149 BPM | ||
| Beristar Saheb Maajh | Anand Shinde | C Major | 7 | 8B | 101 BPM | ||
| Harinichya Daarat | Ajay-Atul, Anand Shinde | E Minor | 5 | 9A | 142 BPM | ||
| Kunya Gavach Aala Pakharu | Usha Mangeshkar | A Major | 8 | 11B | 82 BPM | ||
| Paus Datalela | Milind Ingle | D Major | 4 | 10B | 96 BPM | ||
| Aye Tujha | Madhukar Pathak | F Major | 4 | 7B | 79 BPM | ||
| Pratham Tuj Pahata | Ramdas Kamat | G Major | 4 | 9B | 115 BPM | ||
| Kanda Raja Pandharicha | Sudhir Phadke | D♭ Minor | 5 | 12A | 104 BPM | ||
| Bazaar Aahe Band (From "Palva Palvi") | Anupama, Mahendra Kapoor | C Minor | 8 | 5A | 78 BPM | ||
| Geet Hooun Aale | Suresh Wadkar, Varsha Bhosle | G Major | 7 | 9B | 101 BPM |