"Giles’ Death" by George Fenton had its release date on January 1, 1998. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 18 in the song's album "The Woodlanders (Original Motion Picture Soundtrack)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Giles’ Death is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Giles’ Death by George Fenton having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Take Away | John Powell | A Major | 0 | 11B | 170 BPM | ||
| Maria's Room | Christian Henson | B Major | 2 | 1B | 122 BPM | ||
| Lost Love | Pinar Toprak | E Minor | 1 | 9A | 139 BPM | ||
| Jane e Rochester | Claudio Capponi, Alessio Vlad | G Major | 1 | 9B | 68 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| Elephants in the Okavango | George Fenton | C Major | 2 | 8B | 49 BPM | ||
| A Land Filled With Wonder | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| A Dream Is a Wish Your Heart Makes - Instrumental Version | Mack David, Al Hoffman, Jerry Livingston | E Major | 1 | 12B | 82 BPM | ||
| Theresa | Gabriel Yared | D Minor | 2 | 7A | 82 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| Flying Home | Joel McNeely | G Major | 2 | 9B | 93 BPM | ||
| What A Beautiful Day! | George Fenton | E Major | 3 | 12B | 125 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| The Verdict | George Fenton | F Minor | 6 | 4A | 116 BPM | ||
| Banquet | Naoki”naotyu-”Chiba | A♭ Major | 1 | 4B | 178 BPM | ||
| King George Calls | FELIX MEAGHER, Baz Luhrmann, Angela Little | A♭ Major | 1 | 4B | 90 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | ||
| Alive | Guy Farley | E Minor | 0 | 9A | 120 BPM | ||
| A Caribbean Mystery - Nos Morituri | Dominik Scherrer | G Major | 2 | 9B | 73 BPM | ||
| Emma And Mr. Knightley (A Kiss Before They Wed) | Isobel Waller-Bridge, David Schweitzer | F Major | 1 | 7B | 118 BPM | ||
| We Can Try | Theodore Shapiro | C Major | 0 | 8B | 84 BPM | ||
| Solo en Casa / La Llegada de Papá | Fernando Velázquez | A♭ Major | 1 | 4B | 78 BPM | ||
| Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
| The Show's Over | Howard Shore | C Minor | 2 | 5A | 93 BPM | ||
| Awakening Of Spring | Zbigniew Preisner | G Major | 2 | 9B | 65 BPM |