Milan, Madrid, Chicago, Paris
Jay-Jay Johanson
Tattoo
4:10 December 6, 1998
BPM
92
Key
G Minor
Camelot
6A

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Milan, Madrid, Chicago, Paris by Jay-Jay Johanson Song Details

Jay-Jay Johanson's ' "Milan, Madrid, Chicago, Paris" was released on its scheduled release date, December 6, 1998. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Tattoo". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Milan, Madrid, Chicago, Paris is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

With Milan, Madrid, Chicago, Paris by Jay-Jay Johanson having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-10.275 dB
Acousticness
1%
Danceability
63%
Energy
64%
Instrumentalness
0%
Liveness
11%
Loudness
83%
Speechiness
6%
Valence
42%

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ISRC
SEBMC9894040
Label
L-M Records/RCA Records