"Libera nos" by Thomas Tallis, Contrapunctus, Owen Rees had its release date on July 1, 2013. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Libera nos's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Contrapunctus, Owen Rees's "Libera Nos: The Cry of the Oppressed" album is number 2 out of 13. In terms of popularity, Libera nos is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libera nos by Thomas Tallis, Contrapunctus, Owen Rees to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis | Antoine Brumel, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 133 BPM | ||
| Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
| Requiem: II. Psalm 23 | Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt Ollen | A Minor | 1 | 8A | 74 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
| Ecce quomodo moritur iustus | Jacobus Gallus, Thios Omilos | E♭ Major | 0 | 5B | 93 BPM | ||
| Parce mihi, Domine | Cristobal de Morales, De Profundis, Eamonn Dougan | F Major | 0 | 7B | 130 BPM | ||
| Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM | ||
| Libera nos I & II: Libera nos I & II | John Sheppard, Stile Antico | A♭ Major | 1 | 4B | 130 BPM | ||
| Tallis: O Sacrum Convivium | The Tallis Scholars, Peter Phillips | B♭ Minor | 1 | 3A | 76 BPM | ||
| Hosanna to the son of David | Orlando Gibbons, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| Holy Spirit Mass: Blessed | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 2 | 6B | 58 BPM | ||
| 6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | D Minor | 1 | 7A | 83 BPM | ||
| Missa Hercules dux Ferrariae: V. Agnus Dei | Josquin des Prez, Odhecaton, The Gesualdo Six, La Pifarescha, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Maria Magdalene | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | F Major | 1 | 7B | 72 BPM | ||
| Dum transisset sabbatum | John Taverner, Alamire, David Skinner | E♭ Minor | 3 | 2A | 79 BPM | ||
| Angelus ad pastores ait | Andrea Gabrieli, Il Pomo D'oro, Giuseppe Maletto | G Minor | 1 | 6A | 100 BPM | ||
| Incipit oratio Jeremiae prophetae: III. Pupilli facti sumus | Dominique Phinot, El León de Oro, Peter Phillips | G Major | 1 | 9B | 89 BPM | ||
| Missa pro Defunctis (1544): Kyrie | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 91 BPM | ||
| The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 5 | 8B | 180 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Ave Maria | James MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom Wilkinson | B Minor | 2 | 10A | 69 BPM | ||
| Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
| O Radix Jesse | Rihards Dubra, Choir of Merton College, Oxford, Benjamin Nicholas | G Major | 2 | 9B | 128 BPM |