Richard Reed Parry's 'Dad is Drunk on the Street' had a release date set for December 1, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 19 in Eileen (Original Motion Picture Soundtrack) by Richard Reed Parry. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Dad is Drunk on the Street is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dad is Drunk on the Street by Richard Reed Parry is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Skipping Stones | Olivia Wendel | A Major | 3 | 11B | 126 BPM | ||
| Claw Machine | Sloppy Jane, Phoebe Bridgers | B Major | 2 | 1B | 125 BPM | ||
| The Other Side of Mt. Heart Attack | Liars | B Major | 2 | 1B | 66 BPM | ||
| Pals | Young Fathers | E Major | 3 | 12B | 92 BPM | ||
| That's That | Cass McCombs | D Major | 5 | 10B | 114 BPM | ||
| Hurts to Be Alive | Whitmer Thomas | A Major | 7 | 11B | 110 BPM | ||
| The Birds | Rick Cuevas | E Major | 7 | 12B | 151 BPM | ||
| How we rise | Oliver Coates | A Minor | 1 | 8A | 82 BPM | ||
| Tupelo Blues | Rayna Gellert, Kieran Kane, Philip Jamison, David Mansfield | C Major | 8 | 8B | 128 BPM | ||
| Transcendental Blues | Steve Earle | E Major | 8 | 12B | 113 BPM | ||
| Miracle Man | Bob Carpenter | G Major | 6 | 9B | 146 BPM | ||
| Modesto | Pedro The Lion | B Major | 6 | 1B | 110 BPM | ||
| Sunshine (Adagio in D Minor) | John Murphy | G Major | 3 | 9B | 72 BPM | ||
| Deep In Love | Bonny Light Horseman, Eric D. Johnson, Josh Kaufman, Anaïs Mitchell | F Major | 6 | 7B | 112 BPM | ||
| Earthing - One Day Version | Vanbur | G Major | 3 | 9B | 111 BPM | ||
| How Do You Feel? | Illinois | D♭ Major | 7 | 3B | 89 BPM | ||
| Wild Bill Jones | Nathaniel Bowles | E♭ Major | 1 | 5B | 163 BPM | ||
| Corncrake | Jan Miserre, John Gürtler | F Major | 3 | 7B | 133 BPM | ||
| Color Memory | Alex Somers | B Major | 2 | 1B | 133 BPM | ||
| Come And See | Young Galaxy | E♭ Major | 3 | 5B | 98 BPM | ||
| Getting in the Ring | Richard Reed Parry, Pietro Amato | G Major | 5 | 9B | 87 BPM | ||
| Room at the Top (from "Bad Monkey") | Eddie Vedder | C Major | 4 | 8B | 80 BPM | ||
| In a River (Acoustic) | Rostam | G Major | 3 | 9B | 78 BPM | ||
| You Love Me | DeVotchKa | B♭ Major | 3 | 6B | 175 BPM | ||
| Had To Be There | H. Scott Salinas, Sam Woodbury, Joe Deveau | B♭ Major | 1 | 6B | 74 BPM |