"Haupe" by Duke Ellington had its release date on 1959. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Haupe's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 25 in Anatomy of a Murder by Duke Ellington. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Haupe is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Haupe by Duke Ellington is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude to a Kiss | Duke Ellington | D♭ Major | 2 | 3B | 85 BPM | ||
| Ill Wind | Lee Morgan | F Major | 1 | 7B | 110 BPM | ||
| I Can't Get Started | Duke Ellington | F Minor | 2 | 4A | 124 BPM | ||
| Lover Come Back To Me | The Ben Webster Quintet | B♭ Major | 1 | 6B | 130 BPM | ||
| So What (feat. John Coltrane, Cannonball Adderley & Bill Evans) | Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans | F Major | 7 | 7B | 85 BPM | ||
| Softly As In A Morning Sunrise - Live At The Village Vanguard, 1961 | John Coltrane Quartet | C Minor | 4 | 5A | 105 BPM | ||
| Stella By Starlight | The Cannonball Adderley Quintet | G Minor | 3 | 6A | 80 BPM | ||
| C Jam Blues | Duke Ellington | C Major | 3 | 8B | 162 BPM | ||
| Lilacs In The Rain | Junior Mance | C Major | 0 | 8B | 56 BPM | ||
| Harlem Nocturne | Illinois Jacquet | F Minor | 1 | 4A | 63 BPM | ||
| Uptown, Downtown | Bill Charlap Trio | B Minor | 2 | 10A | 128 BPM | ||
| I Hear A Rhapsody | Bill Evans, Jim Hall | C Minor | 0 | 5A | 173 BPM | ||
| Tranquillity - Remastered 1994 | Bobby Hutcherson | D Minor | 0 | 7A | 178 BPM | ||
| Prelude to a Kiss | Duke Ellington | A♭ Major | 4 | 4B | 83 BPM | ||
| 'Round Midnight | Wes Montgomery Trio | E♭ Minor | 1 | 2A | 118 BPM | ||
| Cocktails For Two | Coleman Hawkins | C Major | 1 | 8B | 78 BPM | ||
| Emily | Paul Desmond | C Minor | 0 | 5A | 62 BPM | ||
| Cry Me A River | Ray Brown Trio | C Minor | 1 | 5A | 108 BPM | ||
| My Wish | Hank Jones | D Minor | 0 | 7A | 76 BPM | ||
| But Beautiful | Freddie Hubbard | E♭ Major | 1 | 5B | 110 BPM | ||
| Melancholia | Duke Ellington | A♭ Major | 0 | 4B | 78 BPM | ||
| In The Blue Of The Evening | Tommy Flanagan Trio | F Major | 2 | 7B | 135 BPM | ||
| Denzil's Best | Tommy Flanagan | A♭ Major | 3 | 4B | 149 BPM | ||
| Blood Count | Duke Ellington | A Major | 1 | 11B | 79 BPM | ||
| Love For Sale - Remastered | Cannonball Adderley | F Minor | 3 | 4A | 88 BPM |