Yosuke Onuma's 'True' had a release date set for November 20, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Summer Madness". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Japan. In terms of popularity, True is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With True by Yosuke Onuma having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ナイト・アンド・デイ | Nelson Faria Acoustic Guitar Trio | G Minor | 2 | 6A | 91 BPM | ||
| a Piece of Biscuit | Gontiti | E Major | 0 | 12B | 81 BPM | ||
| Me Time | Taranczewski, Olaf Taranczewski | D♭ Major | 0 | 3B | 65 BPM | ||
| マルシェの黒い熊 | コーコーヤ | F♯ Minor | 3 | 11A | 107 BPM | ||
| A Brushed Impression | Loungeframe | F Minor | 2 | 4A | 90 BPM | ||
| Interlude | Yosuke Onuma | G Minor | 1 | 6A | 155 BPM | ||
| Beyond the Wyoming Skyline | Tobias Rennick Group | F Minor | 1 | 4A | 123 BPM | ||
| acustica | acustica, Ryo Miyachi, Yosuke Onuma, Kan | E♭ Major | 4 | 5B | 171 BPM | ||
| AYUMERO | 金子 隆博 | E Major | 3 | 12B | 78 BPM | ||
| 線香花火 | iima | D Major | 1 | 10B | 86 BPM | ||
| Ain't No Mountain High Enough | Luke Sellick, Andrew Renfroe | A♭ Major | 1 | 4B | 53 BPM | ||
| Só Tinha de Ser Com Você | Carl Bagge Trio | F Major | 4 | 7B | 157 BPM | ||
| 星に願いを~「ピノキオ」 | Masami Sato, Kazumi Watanabe | C Major | 3 | 8B | 79 BPM | ||
| Parrot | Mauricio Maestro | F♯ Minor | 2 | 11A | 80 BPM | ||
| Sorry | HoKø | C Major | 1 | 8B | 107 BPM | ||
| Dama do Cabaré | Philippe Powell, Kazuo Yoshida | C Major | 1 | 8B | 107 BPM | ||
| When Johnny Comes Marching Home | Tony Monaco, Yosuke Onuma, ジーン・ジャクソン | A♭ Major | 3 | 4B | 120 BPM | ||
| Equanimity | Chris Sidwell, Tony Campodonico | E Major | 2 | 12B | 80 BPM | ||
| Daily | Valley X-tet | C Major | 1 | 8B | 107 BPM | ||
| At One | トニー・モナコ、小沼ようすけ & ジーン・ジャクソン, Yosuke Onuma, ジーン・ジャクソン | A♭ Major | 5 | 4B | 121 BPM | ||
| Bossa weakwoman | Bossa Queens | C Major | 5 | 8B | 96 BPM | ||
| Midnight Pick | Helios Jazz Club | A Major | 2 | 11B | 109 BPM | ||
| Regrets of the Past | Olepash | C Minor | 3 | 5A | 150 BPM | ||
| Lullaby | Martin Lindholm | C Major | 5 | 8B | 110 BPM | ||
| What the Sax Knows | Margherita Cabret | G Major | 1 | 9B | 67 BPM |