Monty Python's ' "Argument - Live At Drury Lane, London, UK / 1974" was released on its scheduled release date, January 1, 1974. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Argument - Live At Drury Lane, London, UK / 1974's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Monty Python's "Live At Drury Lane" album is number 16 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Argument - Live At Drury Lane, London, UK / 1974 is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Argument - Live At Drury Lane, London, UK / 1974 by Monty Python to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Awkward Encounters While Walking My Dog | Thomas Benjamin Wild Esq | G Major | 3 | 9B | 148 BPM | ||
| Stop Being An Arsehole | Thomas Benjamin Wild Esq, Charlie Luscombe, The London Belles, Ben Dawson | D♭ Major | 5 | 3B | 120 BPM | ||
| Barry and Freda | Victoria Wood | G Major | 8 | 9B | 115 BPM | ||
| Mad Dogs and Englishmen | Noel Coward | C Major | 3 | 8B | 134 BPM | ||
| Dirty Old Town | The Pogues | G Major | 5 | 9B | 123 BPM | ||
| Lily the Pink - 1998 Remaster | The Scaffold | C Major | 7 | 8B | 122 BPM | ||
| Two Dozen and One Greyhounds (Medley) | The Simpsons | D Major | 4 | 10B | 120 BPM | ||
| Medical Love Song | Monty Python | A Major | 2 | 11B | 134 BPM | ||
| The Eve of the War (feat. Richard Burton & Justin Hayward) | Jeff Wayne, Richard Burton, Justin Hayward | D Minor | 8 | 7A | 128 BPM | ||
| Traditional Irish Folk Song | Denis Leary | A Major | 5 | 11B | 205 BPM | ||
| Rock Island Line | Lonnie Donegan, Chris Barber's Jazz Band | A Minor | 2 | 8A | 111 BPM | ||
| The Bricklayer's Song | The Corries | D Major | 2 | 10B | 97 BPM | ||
| Rabbit | Chas & Dave | B♭ Major | 8 | 6B | 135 BPM | ||
| La-Bibbida-Bibba-Dum (On Broadway) | Bad Lip Reading | D♭ Major | 5 | 3B | 129 BPM | ||
| Sixteen Tons | Tennessee Ernie Ford | B Major | 2 | 1B | 144 BPM | ||
| Highly Illogical | Leonard Nimoy | A♭ Major | 7 | 4B | 142 BPM | ||
| So Sorry Scotland - Live | FASCINATING AIDA | C Major | 2 | 8B | 84 BPM | ||
| Equality Street | David Brent | A♭ Minor | 6 | 1A | 156 BPM | ||
| At the Ball That's All | Laurel and Hardy | A Minor | 2 | 8A | 111 BPM | ||
| Beach | Sammy J & Randy | F Major | 6 | 7B | 95 BPM | ||
| The Bear Necessities | Anthony the Banjo Man and Musicale Mark & His Pedaling Piano | F Major | 4 | 7B | 108 BPM | ||
| Wernher Von Braun | Tom Lehrer | E Minor | 6 | 9A | 88 BPM | ||
| Short People | Randy Newman | D Major | 6 | 10B | 121 BPM | ||
| A Complete History of the Soviet Union, Through the Eyes of a Humble Worker | Pig with the Face of a Boy | D Major | 8 | 10B | 79 BPM | ||
| Homer's Barbershop Quartet (Medley) | The Simpsons | C Major | 4 | 8B | 136 BPM |