Alexander Rudd's ' "Steadfast" was released on its scheduled release date, February 23, 2015. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Steadfast's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Strident Strings Vol. 2". In this album, this song's track order is #5. The popularity of Steadfast is currently unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Steadfast by Alexander Rudd having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Call the Midwife Theme Tune | Peter Salem | F Minor | 4 | 4A | 101 BPM | ||
| We Are Killers / The Bomb | John Ottman, Alexander Rudd | B Minor | 1 | 10A | 69 BPM | ||
| Magical Forest | Alexander Rudd | C Major | 3 | 8B | 172 BPM | ||
| Creating Earth | Glen Gabriel | D Minor | 5 | 7A | 136 BPM | ||
| A.B. Montage | Mark Mothersbaugh | A Major | 2 | 11B | 130 BPM | ||
| Sanditon Theme | Ruth Barrett | D Major | 6 | 10B | 128 BPM | ||
| The Mirror and the Light | Debbie Wiseman, The Locrian Ensemble Of London | E Minor | 1 | 9A | 177 BPM | ||
| Mirrors | Siddhartha Khosla | D Minor | 1 | 7A | 130 BPM | ||
| All The World | Paul Mottram | C Major | 6 | 8B | 113 BPM | ||
| So Bad | Alexander Rudd, Zach Lemmon | D Major | 4 | 10B | 139 BPM | ||
| Optical | Paul Reeves | A Major | 2 | 11B | 78 BPM | ||
| Of Virtue | Christoffer Moe Ditlevsen, Anna Dager, Hanna Ekström | C Major | 5 | 8B | 139 BPM | ||
| The Divine | Edgar Hopp | D Major | 1 | 10B | 118 BPM | ||
| Silent Approval | Howard Harper-Barnes | C Minor | 3 | 5A | 120 BPM | ||
| She's Been Right By Everything Else | Hannes De Maeyer, Ruben de Gheselle | E Minor | 1 | 9A | 115 BPM | ||
| Eating the World | Nathan Barr, Dimitri Smith | G Minor | 1 | 6A | 65 BPM | ||
| Night Sky in Patagonia | David Schweitzer, Eurielle | E♭ Major | 0 | 5B | 199 BPM | ||
| London Suite In C Major | Junkie XL | F Major | 6 | 7B | 86 BPM | ||
| The Wrong Cat | Alexandra Harwood | F Major | 2 | 7B | 67 BPM | ||
| A Way of Life | Christoffer Moe Ditlevsen | F♯ Major | 4 | 2B | 98 BPM | ||
| Best Endeavours | Barrington Pheloung | C Major | 2 | 8B | 132 BPM | ||
| Play the Ponies | Jo Blankenburg | A♭ Major | 9 | 4B | 109 BPM | ||
| Such A Mess | Alexis Grapsas | B♭ Minor | 1 | 3A | 112 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| Life: III | Oliver Davis, Huw Watkins, Royal Philharmonic Orchestra, Julian Kershaw | A Major | 3 | 11B | 120 BPM |