"Baby's Calling" by VENICE had its release date on January 1, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 16 in Born And Raised by VENICE. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Baby's Calling is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Baby's Calling by VENICE is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hurricane Room - 2 Meter Session | THE BLESSING | E Major | 4 | 12B | 80 BPM | ||
| L.A. Rendez-Vous | Alquin | D Major | 2 | 10B | 97 BPM | ||
| You | Tangarine | E♭ Major | 4 | 5B | 148 BPM | ||
| Dust Of Oklahoma | The Common Linnets | C Major | 4 | 8B | 144 BPM | ||
| When Times Get Rough | Jana Mila | F Major | 2 | 7B | 103 BPM | ||
| You're Not What I Need (But You're All That I Want) | Dayna Kurtz | A Major | 3 | 11B | 102 BPM | ||
| I Still Cry | Ilse DeLange | D♭ Major | 3 | 3B | 98 BPM | ||
| Owls | Ruben Hein | D♭ Major | 2 | 3B | 128 BPM | ||
| Feel Like Going Home | The Notting Hillbillies | D Major | 1 | 10B | 134 BPM | ||
| I'll Be Alright | Voltage | G Major | 4 | 9B | 75 BPM | ||
| My Love Waits for Me | VENICE | D♭ Minor | 6 | 12A | 141 BPM | ||
| Sailing to Philadelphia | Mark Knopfler | F♯ Minor | 4 | 11A | 99 BPM | ||
| Stay with Me 'Til Morning | Vicki Brown, The New London Chorale | B♭ Major | 4 | 6B | 73 BPM | ||
| All the Answers | Ilse DeLange | F Major | 3 | 7B | 148 BPM | ||
| Good Riddance (The Time Of Your Life) | VENICE | G Major | 5 | 9B | 94 BPM | ||
| The Road Ahead (Miles Of The Unknown) | City To City | B Major | 5 | 1B | 99 BPM | ||
| The Family Tree | VENICE | E♭ Major | 2 | 5B | 130 BPM | ||
| Dat ben ik | Jeroen Kramer | D Major | 4 | 10B | 114 BPM | ||
| Hoeveel Ik Van Je Hou | Elske de Wall | B♭ Major | 2 | 6B | 111 BPM | ||
| Everybody Falls In Love Again | Ruud Hermans | A Major | 3 | 11B | 108 BPM | ||
| The Road | Tim Akkerman | D Major | 4 | 10B | 160 BPM | ||
| Better Than Home | Beth Hart | F Major | 6 | 7B | 136 BPM | ||
| Catch the Sun | Tim Akkerman | D Major | 5 | 10B | 100 BPM | ||
| Waiting Tables | Don Henley | G Major | 5 | 9B | 109 BPM | ||
| When It Starts to Rain | Jimmy LaFave | F♯ Minor | 1 | 11A | 106 BPM |